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largest kind, and the most elaborate structure, in every department of learning, abound among us; Cyclopedias without measure, compilations without number, besides original treatises, which equally show the industry, talent, and acquirements of authors in all ranks of society, and of every gradation of intellect. Nor are there wanting works of history, voyages and travels, divinity, law, and physic, of sterling value, and worthy of the British nation, which in arts and arms is second to none in the world. The majority of these publications exhibit the same characteristic features as the more fashionable and fugitive ones previously delineated; namely, strong excitement in profession, ambitious display in execution, and excessive gratification in the entertainment which they provide. The books of every era must resemble those who wrote, and those who read them. Great expectation must be met with proportionate effect; and, (unreasonable as it may appear, and as it is,) if the effect be not beyond both, a degree of disappointment is experienced on the one hand, and a measure of failure on the other.

Such, according to the best judgment of the writer of these imperfect remarks, is the present state of literature in this country, especially of popular literature, including poetry, the drama, works of imagination, and the periodical press. Of its future progress or decline it is unnecessary to offer any conjecture. It does, however, seem to have approached a crisis, when some considerable change

for the better or the worse may be anticipated; when literature in England will return to the love of nature and simplicity, or degenerate into bombast and frivolity.

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THE WANDERER of SWITZERLAND.

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