Lectures on Poetry and General Literature: Delivered at the Royal Institution in 1830 and 1831Longman, Rees, Orme, Browne, Green, & Longman, 1833 - 394 ページ |
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18 ページ
... Speak , " but he will add " Move . " -- Be this as it may , — beauty , intelligence , strength , grace of attitude , symmetry of limb , harmonious grouping , simple , severe , sublime expression , the soul informing the marble , the ...
... Speak , " but he will add " Move . " -- Be this as it may , — beauty , intelligence , strength , grace of attitude , symmetry of limb , harmonious grouping , simple , severe , sublime expression , the soul informing the marble , the ...
21 ページ
... speak , love , fight , fall , labour , suffer , die , — in a word , they are men of like passions with ourselves , undergoing all the changes of actual existence , and presenting to the mind of the reader , solitary figures , or compli ...
... speak , love , fight , fall , labour , suffer , die , — in a word , they are men of like passions with ourselves , undergoing all the changes of actual existence , and presenting to the mind of the reader , solitary figures , or compli ...
56 ページ
... speaking out of the whirl- wind to Job : " Canst thou bind the sweet influences of Pleiades , or loose the bands of Orion ? Canst thou bring forth Mazzaroth in his season ? Or canst thou guide Arcturus with his sons ? " - Here shines ...
... speaking out of the whirl- wind to Job : " Canst thou bind the sweet influences of Pleiades , or loose the bands of Orion ? Canst thou bring forth Mazzaroth in his season ? Or canst thou guide Arcturus with his sons ? " - Here shines ...
74 ページ
... speaking and singing ; and two kinds of cadence in the col- location of syllables , corresponding to speech and song - prose and verse . In the former , the rhythm or cadence is allowed to flow on , without interrup- tion , into lengths ...
... speaking and singing ; and two kinds of cadence in the col- location of syllables , corresponding to speech and song - prose and verse . In the former , the rhythm or cadence is allowed to flow on , without interrup- tion , into lengths ...
81 ページ
... speak to him . PHYSICIAN . Madam , do you ; ' tis fittest . CORDELIA . How does my royal lord ? How fares your majesty ? LEAR . You do me wrong to take me out o ' the grave : Thou art a soul in bliss , but I am bound Upon a wheel of ...
... speak to him . PHYSICIAN . Madam , do you ; ' tis fittest . CORDELIA . How does my royal lord ? How fares your majesty ? LEAR . You do me wrong to take me out o ' the grave : Thou art a soul in bliss , but I am bound Upon a wheel of ...
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admiration Æneid affections amidst ancient beauty blank verse cadence character circumstances colour composition contemporaries death delight diction Dryden earth Egyptians eloquence employed English equally excellence exquisite Faerie Queene fancy feel genius glory Greece Greek hand harmony heart heaven Henry Kirke White hieroglyphics Homer honour human ideas Iliad images imagination invention Joanna Baillie kind labours Lamech language latter learning less lines literature living Lord Lord Byron ment metre Milton mind modern moral nations nature never once original painting Paradise Lost passage passions peculiar perfect perpetual Pisistratus pleonasm poem poet poetical poetry present prose reader rhyme Robert Burns ROBERT SOUTHEY Roman Saracens scarcely scene sculpture sentiments song soul sound Spenserian stanza spirit splendour stanzas stars strains style sublime syllables taste thee theme things thou thought tion tongue truth uttered verse Virgil whole words writing