Lectures on Poetry and General Literature: Delivered at the Royal Institution in 1830 and 1831Longman, Rees, Orme, Browne, Green, & Longman, 1833 - 394 ページ |
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... syllable , even when Philip was at the gates , we must necessarily form very imperfect ideas from reading them in a dead language , addressed only to the eye , for the sounds , whatever be our pro- nunciation , are little more than ...
... syllable , even when Philip was at the gates , we must necessarily form very imperfect ideas from reading them in a dead language , addressed only to the eye , for the sounds , whatever be our pro- nunciation , are little more than ...
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... syllables , corresponding to speech and song - prose and verse . In the former , the rhythm or cadence is allowed to flow on , without interrup- tion , into lengths and subdivisions of period , ac- cording to the requirements of the ...
... syllables , corresponding to speech and song - prose and verse . In the former , the rhythm or cadence is allowed to flow on , without interrup- tion , into lengths and subdivisions of period , ac- cording to the requirements of the ...
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... syllables , and the exuberance of ornament which these admit , that the thoughts themselves may be exalted as much above common - place notions as the cadences in which they are conveyed are more imposing than the irregular movements of ...
... syllables , and the exuberance of ornament which these admit , that the thoughts themselves may be exalted as much above common - place notions as the cadences in which they are conveyed are more imposing than the irregular movements of ...
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... syllable , word , accent , or quantity , that can enter into English sentences , are jumbled in juxtaposition , like disrupted strata , where convulsions of nature have thrown down mountains and heaved up valleys . Characteristics of ...
... syllable , word , accent , or quantity , that can enter into English sentences , are jumbled in juxtaposition , like disrupted strata , where convulsions of nature have thrown down mountains and heaved up valleys . Characteristics of ...
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... syllables , there is an indescribable mannerism which distinguishes poetry from prose . This may be best apprehended from an example , it shall be an illus- trious one , of the same subject , treated with con- summate ability by the ...
... syllables , there is an indescribable mannerism which distinguishes poetry from prose . This may be best apprehended from an example , it shall be an illus- trious one , of the same subject , treated with con- summate ability by the ...
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admiration Æneid affections amidst ancient beauty blank verse cadence character circumstances colour composition contemporaries death delight diction Dryden earth Egyptians eloquence employed English equally excellence exquisite Faerie Queene fancy feel genius glory Greece Greek hand harmony heart heaven Henry Kirke White hieroglyphics Homer honour human ideas Iliad images imagination invention Joanna Baillie kind labours Lamech language latter learning less lines literature living Lord Lord Byron ment metre Milton mind modern moral nations nature never once original painting Paradise Lost passage passions peculiar perfect perpetual Pisistratus pleonasm poem poet poetical poetry present prose reader rhyme Robert Burns ROBERT SOUTHEY Roman Saracens scarcely scene sculpture sentiments song soul sound Spenserian stanza spirit splendour stanzas stars strains style sublime syllables taste thee theme things thou thought tion tongue truth uttered verse Virgil whole words writing