Lectures on Poetry and General Literature: Delivered at the Royal Institution in 1830 and 1831Longman, Rees, Orme, Browne, Green, & Longman, 1833 - 394 ページ |
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... thought was most precious . But with none , I remember , mine ears were at any time more loaden , than when ( angered with our slow payment , or moved with our learner- like admiration ) he exercised his speech in praise of B his ...
... thought was most precious . But with none , I remember , mine ears were at any time more loaden , than when ( angered with our slow payment , or moved with our learner- like admiration ) he exercised his speech in praise of B his ...
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... thought : it existed before prose in history , before music in melody , before painting in description , and before sculpture in imagery . Anterior to the discovery of letters , it was employed to communicate the lessons of wisdom , to ...
... thought : it existed before prose in history , before music in melody , before painting in description , and before sculpture in imagery . Anterior to the discovery of letters , it was employed to communicate the lessons of wisdom , to ...
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... thought which gives birth to poetry is an active principle ; in all others it is only a passive sentiment . That alone is true poetry , which makes the reader himself a poet for the time while he is under its excitement ; which , indeed ...
... thought which gives birth to poetry is an active principle ; in all others it is only a passive sentiment . That alone is true poetry , which makes the reader himself a poet for the time while he is under its excitement ; which , indeed ...
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... thought , and imagery , as well as in the vivacity and permanency of its impressions on the mind ; for its language and sentiments are so intimately connected , that they are remembered to- gether ; they are soul and body , which cannot ...
... thought , and imagery , as well as in the vivacity and permanency of its impressions on the mind ; for its language and sentiments are so intimately connected , that they are remembered to- gether ; they are soul and body , which cannot ...
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... thought and feeling , producing its greatest effects at the last . Painting begins precisely where poetry breaks off , with the climax of the subject , ―and lets down the mind from the catastrophe 10 NO . I. THE PRE - EMINENCE OF POETRY .
... thought and feeling , producing its greatest effects at the last . Painting begins precisely where poetry breaks off , with the climax of the subject , ―and lets down the mind from the catastrophe 10 NO . I. THE PRE - EMINENCE OF POETRY .
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admiration Æneid affections amidst ancient beauty blank verse cadence character circumstances colour composition contemporaries death delight diction Dryden earth Egyptians eloquence employed English equally excellence exquisite Faerie Queene fancy feel genius glory Greece Greek hand harmony heart heaven Henry Kirke White hieroglyphics Homer honour human ideas Iliad images imagination invention Joanna Baillie kind labours Lamech language latter learning less lines literature living Lord Lord Byron ment metre Milton mind modern moral nations nature never once original painting Paradise Lost passage passions peculiar perfect perpetual Pisistratus pleonasm poem poet poetical poetry present prose reader rhyme Robert Burns ROBERT SOUTHEY Roman Saracens scarcely scene sculpture sentiments song soul sound Spenserian stanza spirit splendour stanzas stars strains style sublime syllables taste thee theme things thou thought tion tongue truth uttered verse Virgil whole words writing