A Handbook of Oral ReadingHoughton Mifflin, 1917 - 353 ページ The aim of this handbook is to present the principles of natural expressive reading aloud. |
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... GROUPING · III . PITCH VARIATION IV . EMPHASIS • PART II . IMPRESSIVENESS Y V. IMPRESSIVENESS IN SPEECH · VI . VOCAL ENERGY VII . RHYTHM · · VIII . VOCAL QUALITY IX . THE MUSIC OF SPEECH . 1 · 15 30 51 83 PART III . EASE AND CORRECTNESS ...
... GROUPING · III . PITCH VARIATION IV . EMPHASIS • PART II . IMPRESSIVENESS Y V. IMPRESSIVENESS IN SPEECH · VI . VOCAL ENERGY VII . RHYTHM · · VIII . VOCAL QUALITY IX . THE MUSIC OF SPEECH . 1 · 15 30 51 83 PART III . EASE AND CORRECTNESS ...
29 ページ
... the rest of this story will be found at the end of chap- ter V , where it has been placed as an exercise in the principles of that chapter . CHAPTER II GROUPING 7. The basis of grouping In purposeful THE RELATION OF THOUGHT AND SPEECH 29.
... the rest of this story will be found at the end of chap- ter V , where it has been placed as an exercise in the principles of that chapter . CHAPTER II GROUPING 7. The basis of grouping In purposeful THE RELATION OF THOUGHT AND SPEECH 29.
30 ページ
... grouping , and without clear grouping no clear ex- pression of thought . Attention is limited temporarily to the thought that determines the word group . - To the homeless man who has no spot on this wide world which he can truly call ...
... grouping , and without clear grouping no clear ex- pression of thought . Attention is limited temporarily to the thought that determines the word group . - To the homeless man who has no spot on this wide world which he can truly call ...
31 ページ
... utterance characteristic of conversation . The space intervals allowed between sections of the above sentences are meant merely to indicate thought divisions , not definite intervals of pitch . If you go to - day I must stay at GROUPING 31.
... utterance characteristic of conversation . The space intervals allowed between sections of the above sentences are meant merely to indicate thought divisions , not definite intervals of pitch . If you go to - day I must stay at GROUPING 31.
33 ページ
... grouping Two frequent sources of faulty grouping are ( 1 ) hap- hazard breathing , and ( 2 ) punctuation . 1. Grouping and breathing . In normal speech the rhythm 1 To prove the validity of these principles the lines may be read again ...
... grouping Two frequent sources of faulty grouping are ( 1 ) hap- hazard breathing , and ( 2 ) punctuation . 1. Grouping and breathing . In normal speech the rhythm 1 To prove the validity of these principles the lines may be read again ...
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accented action Assignment Baltus Van Tassel beauty breath change of pitch Chapter Christmas Christmas Carol clear conversation cried dark emotional emphasis expression eyes feeling Fezziwig give hand hath hear heard heart heaven Ichabod Ichabod Crane illustrations imagination inflection Jacob Marley Julius Cæsar kind permission King Lady Macbeth light lines listener literature live look Lord Macbeth meaning melody Merchant of Venice metrical mind nature never night Nolan oral pause phrase poem poetry practice Prepare problems prose reader reading aloud Reading of problems Recitation rhythm round sail Scrooge section 28 sense sentence Shakespeare sight reading Sir Anth sleep Sleepy Hollow soul sound speak speaker speech spirit spoken strong student syllables talk teacher Tennyson thee things thou thought tion tone tongue utterance vocal energy vocal exercises vocal force voice vowels William Herbert Carruth words