A Handbook of Oral ReadingHoughton Mifflin, 1917 - 353 ページ The aim of this handbook is to present the principles of natural expressive reading aloud. |
この書籍内から
検索結果1-5 / 34
10 ページ
... inflection and ac- centuation are directly related to the mind and reveal the process of thinking , while others - like tone - quality and pitch - bear an intimate relation to the imagination and emotions . Every change of the voice ...
... inflection and ac- centuation are directly related to the mind and reveal the process of thinking , while others - like tone - quality and pitch - bear an intimate relation to the imagination and emotions . Every change of the voice ...
51 ページ
... may be expressed something like this : - S t ' twas swore , faith , She in But the line was read thus : ' t faith , W She In e ( ! ) . n g e . s strange . 10. Inflection and change of pitch The two factors of PITCH VARIATION.
... may be expressed something like this : - S t ' twas swore , faith , She in But the line was read thus : ' t faith , W She In e ( ! ) . n g e . s strange . 10. Inflection and change of pitch The two factors of PITCH VARIATION.
52 ページ
... inflection ; the leap of the voice from one key to another during intervals of silence between words , phrases , and sentences is called change of pitch.1 These modulations supplement each other , and are firmly allied in showing the ...
... inflection ; the leap of the voice from one key to another during intervals of silence between words , phrases , and sentences is called change of pitch.1 These modulations supplement each other , and are firmly allied in showing the ...
53 ページ
... inflection and change of pitch.1 By means of these , attention is directed to signifi- cant words , which are lifted into prominence , while those of less importance are subordinated , as in the illustration above . Inflection and ...
... inflection and change of pitch.1 By means of these , attention is directed to signifi- cant words , which are lifted into prominence , while those of less importance are subordinated , as in the illustration above . Inflection and ...
54 ページ
... inflections , yet it would be vocally impossible to give each of these words an equal inflectional range were it not for the down- ward leaps of the voice throughout the sentence , by which its melody is given balance and proportion ...
... inflections , yet it would be vocally impossible to give each of these words an equal inflectional range were it not for the down- ward leaps of the voice throughout the sentence , by which its melody is given balance and proportion ...
他の版 - すべて表示
多く使われている語句
accented action Assignment Baltus Van Tassel beauty breath change of pitch Chapter Christmas Christmas Carol clear conversation cried dark emotional emphasis expression eyes feeling Fezziwig give hand hath hear heard heart heaven Ichabod Ichabod Crane illustrations imagination inflection Jacob Marley Julius Cæsar kind permission King Lady Macbeth light lines listener literature live look Lord Macbeth meaning melody Merchant of Venice metrical mind nature never night Nolan oral pause phrase poem poetry practice Prepare problems prose reader reading aloud Reading of problems Recitation rhythm round sail Scrooge section 28 sense sentence Shakespeare sight reading Sir Anth sleep Sleepy Hollow soul sound speak speaker speech spirit spoken strong student syllables talk teacher Tennyson thee things thou thought tion tone tongue utterance vocal energy vocal exercises vocal force voice vowels William Herbert Carruth words