title of "Nix my dolly, pals,-fake away!" sprang into extraor dinary popularity, being set to music by Rodwell, and chanted by glorious Paul Bedford and clever little Mrs. Keeley.

Before quitting the subject of these songs, I may mention that they probably would not have been written at all if one of the earliest of them (a chance experiment) had not excited the warm approbation of my friend Charles Ollier, author of the striking romance of "Ferrers.' This induced me to prosecute the vein

accidentally opened.

Turpin was the hero of my boyhood. I had always a strange passion for highwaymen, and have listened by the hour to their exploits, as narrated by my father, and especially to those of "Dauntless Dick," that "chief minion of the moon." One of Turpin's adventures in particular, the ride to Hough Green, which took deep hold of my fancy, I have recorded in song. When a boy, I have often lingered by the side of the deep old road where this robbery was committed, to cast wistful glances into its mysterious windings; and when night deepened the shadows of the trees, have urged my horse on his journey, from a vague apprehension of a visit from the ghostly highwayman. And then there was the Bollin, with its shelvy banks, which Turpin cleared at a bound; the broad meadows over which he winged his flight; the pleasant bowling-green of the pleasant old inn at Hough, where he produced his watch to the Cheshire squires, with whom he was upon terms of intimacy; all brought something of the gallant robber to mind. No wonder, in after years, in selecting a highwayman for a character in a tale, I should choose my old favourite, Dick Turpin.

In reference to two of the characters here introduced, and drawn from personages living at the time the tale was written, it may be mentioned that poor Jerry Juniper met his death from an accident at Chichester, while he was proceeding to Goodwood races; and that the knight of Malta (Mr. Tom, a brewer of Truro, the selfstyled Sir William Courtenay, who played the strange tricks at Canterbury chronicled in a song given in these pages), after his release from Barming Heath Asylum, was shot through the head while leading on a mob of riotous Kentish yeomen, whom he had persuaded that he was the Messiah!

If the design of Romance be, what it has been held, the exposition of a useful truth by means of an interesting story, I fear I nave but imperfectly fulfilled the office imposed upon me; having,

as I will freely confess, had, throughout, an eye rather to the reader's amusement than his edification. One wholesome moral, however, may, I trust, be gathered from the perusal of this Tale; namely, that, without due governance of the passions, high aspirations and generous emotions will little avail their possessor. The impersonations of the Tempter, the Tempted, and the Better Influence, may be respectively discovered, by those who care to cull the honey from the flower, in the Sexton, in Luke, and in Sybil.

The chief object I had in view in making the present essay, was to see how far the infusion of a warmer and more genial current into the veins of old Romance would succeed in reviving her fluttering and feeble pulses. The attempt has succeeded beyond my most sanguine expectation. Romance, if I am not mistaken, is destined shortly to undergo an important change. Modified by the German and French writers-by Hoffman, Tieck, Hugo, Dumas, Balzac, and Paul Lecroix (le Bibliophile Jacob)—the structure commenced in our own land by Horace Walpole, Monk Lewis, Mrs. Radcliffe, and Maturin, but left imperfect and inharmonious, requires, now that the rubbish which choked up its approach is removed, only the hand of the skilful architect to its entire renovation and perfection.

And now, having said my say, I must bid you, worthy reader, farewell. Beseeching you, in the words of old Rabelais, " to interpret all my sayings and doings in the perfectest sense. Reverence the cheese-like brain that feeds you with all these jolly maggots; and do what lies in you to keep me always merry. Be frolic now, my lads! Cheer up your hearts, and joyfully read the rest, with all case of your body, and comfort of your reins."

KENSAL MANOr-House,

December 15, 1849.

ROOKWOOD.

BOOK I.

THE WEDDING RING.

It has been observed, and I am apt to believe it is an observation which will generally be found true, that before a terrible truth comes to light, there are certain murmuring whispers fly before it, and prepare the minds of men for the reception of the truth itself. Gallick Reports.

CHAPTER I.

THE VAULT.

Case of the Count Saint Geran.

WITHIN a sepulchral vault, and at midnight, two persons were seated. The chamber was of singular construction and considerable extent. The roof was of solid stone masonry, and rose in awide semicircular arch to the height of about seventeen feet, mea sured from the centre of the ceiling to the ground floor, while the sides were divided by slight partition-walls into ranges of low, narrow catacombs. The entrance to each cavity was surrounded by an obtusely-pointed arch, resting upon slender granite pillars; and the intervening space was filled up with a variety of tablets, escut cheons, shields, and inscriptions, recording the titles and heraldic honours of the departed. There were no doors to the niches; and within might be seen piles of coffins, packed one upon another, till the floor groaned with the weight of lead. Against one of the pillars, upon a hook, hung a rack of tattered, time-out-of-mind hatchments; and in the centre of the tomb might be seen the effigies of Sir Ranulph de Rokewode, the builder of the mausoleum, and the founder of the race who slept within its walls. This statue, wrought in black marble, differed from most monu

B

mental carved-work, in that its posture was erect and life-like. Sir Ranulph was represented as sheathed in a complete suit of mail, decorated with his emblazoned and gilded surcoat, his arm leaning upon the pommel of a weighty curtal-axe. The attitude was that of stern repose. A conically-formed helmet rested upon the brow; the beaver was raised, and revealed harsh but commanding features. The golden spur of knighthood was fixed upon the heel; and, at the feet, enshrined in a costly sarcophagus of marble, dug from the same quarry as the statue, rested the mortal remains of one of "the sternest knights to his mortal foe that ever put speare in the rest.”

Streaming in a wavering line upon the roof, the sickly flame of a candle partially fell upon the human figures before alluded to, throwing them into darkest relief, and casting their opaque and fantastical shadows along the ground. An old coffin upon a bier, we have said, served the mysterious twain for a seat. Between

them stood a bottle and a glass, evidences that whatever might be the ulterior object of their stealthy communion, the immediate comfort of the creature had not been altogether overlooked. At the feet of one of the personages were laid a mattock, a horn lantern (from which the candle had been removed), a crowbar, and a bunch of keys. Near to these implements of a vocation which the reader will readily surmise, rested a strange superannuated terrier with a wiry back and frosted muzzle; a head minus an car, and a leg wanting a paw. His master, for such we shall suppose him, was an old man with a lofty forehead, covered with a singularly shaped nightcap, and clothed, as to his lower limbs, with tight, ribbed, grey worsted hose, ascending externally, after a bygone fashion, considerably above the knee. The old man's elbow rested upon the handle of his spade, his wrist supported his chin, and his grey glassy eyes, glimmering like marsh-meteors in the candlelight, were fixed upon his companion with a glance of searching scrutiny.

The object of his investigation, a much more youthful and interesting person, seemed lost in reverie, and alike insensible to time, place, and the object of the meeting. With both hands grasped round the barrel of a fowling-piece, and his face leaning upon the same support, the features were entirely concealed from view; the light, too, being at the back, and shedding its rays over, rather than upon his person, aided his disguise. Yet, even thus imperfectly defined, the outline of the head, and the proportions of the figure, were eminently striking and symmetrical. Attired. in a rough forester's costume, of the mode of 1737, and of the roughest texture and rudest make, his wild garb would have determined his rank as sufficiently humble in the scale of society, had not a certain loftiness of manner, and bold, though reckless deportment, argued pretensions on the part of the wearer to a more elevated station in life, and contradicted, in a great measure,

ments.

the impression produced by the homely appearance of his habiliA cap of shaggy brown fur, fancifully, but not ungracefully fashioned, covered his head, from beneath which, dropping, in natural clusters, over his neck and shoulders, a cloud of raven hair escaped. Subsequently, when his face was more fully revealed, it proved to be that of a young man, of dark aspect, and grave, melancholy expression of countenance, approaching even to the stern, when at rest; though sufficiently animated and earnest when engaged in conversation, or otherwise excited. His features were regular, delicately formed, and might be characterised as singularly handsome, were it not for a want of roundness in the contour of the face which gave the lineaments a thin, worn look, totally distinct, however, from haggardness or emaciation. The nose was delicate and fine; the nostril especially so; the upper lip was short, curling, graceful, and haughtily expressive. As to complexion, his skin had a truly Spanish warmth and intensity of colouring. His figure, when raised, was tall and masculine, and though slight, exhibited great personal vigour.

We will now turn to his companion, the old man with the great grey glittering eyes. Peter Bradley, of Rookwood (comitatû Ebor.), where he had exercised the vocation of sexton for the best part of a life already drawn out to the full span ordinarily allotted to mortality, was an odd caricature of humanity. His figure was lean, and almost as lank as a skeleton. His bald head reminded one of a bleached skull, allowing for the overhanging and hoary brows. Deep-seated, and sunken within their sockets, his grey orbs gleamed with intolerable lustre. Few could endure his gaze; and, aware of his power, Peter seldom failed to exercise it. He had likewise another habit, which, as it savoured of insanity, made him an object of commiseration with some, while it rendered him yet more obnoxious to others. The habit we allude to, was the indulgence of wild screaming laughter at times when all merriment should be checked; and when the exhibition of levity must proceed from utter disregard of human grief and suffering, or from mental alienation.

Wearied with the prolonged silence, Peter at length condescended to speak. His voice was harsh and grating as a rusty hinge.

"Another glass?" said he, pouring out a modicum of the pale

fluid.

His companion shook his head.

"It will keep out the cold," continued the sexton, pressing the liquid upon him; "and you, who are not so much accustomed as I am to the damps of a vault, may suffer from them. Besides," added he, sneeringly, "it will give you courage."

His companion answered not. But the flash of his eye resented the implied reproach.

Nay, never stare at me so hard, Luke," continued the sexton;