'And for my sake, when I might charm thee so For she that was thy Lucrece, now attend me: Be suddenly revenged on my foe, Thine, mine, his own: suppose thou dost defend me [lend me From what is past: the help that thou shalt Comes all too late, yet let the traitor die ; For sparing justice feeds iniquity. 'But ere I name him, you fair lords,' quoth she, Speaking to those that came with Collatine, Shall plight your honorable faiths to me, With swift pursuit to venge this wrong of mine; 1691 For 'tis a meritorious fair design To chase injustice with revengeful arms: Knights, by their oaths, should right poor ladies' harms.' At this request, with noble disposition 'How may this forced stain be wiped from me? 1 What is the quality of mine offence, The poison'd fountain clears itself again; With this, they all at once began to say, 1709 Of hard misfortune, carved in it with tears. 'No, no,' quoth she, 'no dame, hereafter living, By my excuse shall claim excuse's giving.' Here with a sigh, as if her heart would break, She throws forth Tarquin's name; 'He, he,' she says, But more than 'he' her poor tongue could not speak; 1719 Till after many accents and delays, Untimely breathings, sick and short assays, She utters this, He, he, fair lords, 'tis he, That guides this hand to give this wound to me.' Stone-still, astonish'd with this deadly deed, Stood Collatine and all his lordly crew; 1731 Till Lucrece' father, that beholds her bleed, Himself on her self-slaughter'd body threw; And from the purple fountain Brutus drew The murderous knife, and, as it left the place, Her blood, in poor revenge, held it in chase; And bubbling from her breast, it doth divide In two slow rivers, that the crimson blood Circles her body in on every side, Who, like a late-sack'd island, vastly stood Bare and unpeopled in this fearful flood. 1741 Some of her blood still pure and red remain'd, And some look'd black, and that false Tarquin stain'd. About the mourning and congealed face 'That life was mine which thou hast here deprived. If in the child the father's image lies, O, from thy cheeks my image thou hast torn, And shivered all the beauty of my glass, That I no more can see what once I was! 'O time, cease thou thy course and last no longer, If they surcease to be that should survive. Shall rotten death make conquest of the stronger And leave the faltering feeble souls alive? The one doth call her his, the other his, Yet neither may possess the claim they lay. The father says She's mine.' O, mine she is,' Replies her husband: 'do not take away 'O,' quoth Lucretius, 'I did give that life 1800 Which she too early and too late hath spill'd.' 'Woe, woe,' quoth Collatine, she was my wife, I owed her, and 'tis mine that she hath kill'd.' THE PASSIONATE PILGRIM INTRODUCTION. •The Passionate Pilgrim was published by William Jaggard, in 1599. It was a piratical bookseller's venture, and although the popular name of Shakespeare was put upon the title-page the little volume really consisted of a collection from several authors. Shakespeare, as Heywood tells us, was much offended when Jaggard, in 1612, republished the volume, with added poems of Heywood, and with Shakespeare's name upon the title-page: a cancel of the title-page was thereupon made, and one printed without any author's name. Of the collection, Nos. I., II., III., V., XII., and XVII., are probably Shakespeare's; Nos. IV., VI., VII., IX., and XIX. are possibly Shakespeare's; and the rest are certainly not Shakespeare's. After the fifteenth poem in the original collection occurs a second title-Sonnets to Sundry Notes of Music. I. WHEN my love swears that she is made of truth, I do believe her, though I know she lies, Unskilful in the world's false forgeries. II. Two loves I have, of comfort and despair, 10 20 The truth I shall not know, but live in doubt, If love make me forsworn, how shall I swear to love? O never faith could hold, if not to beauty vow'd: Though to myself forsworn, to thee I'll con Those thoughts, to me like oaks, to thee like stant prove; osiers bow'd. 60 Study his bias leaves, and makes his book thine eyes, Where all those pleasures live that art can comprehend. If knowledge be the mark, to know thee shall suffice; Well learned is that tongue that well can thee commend ; All ignorant that soul that sees thee without wonder; Which is to me some praise, that I thy parts admire : Thine eye Jove's lightning seems, thy voice his dreadful thunder, Which, not to anger bent, is music and sweet fire. Celestial as thou art, O do not love that wrong, To sing heaven's praise with such an earthly Scarce had the sun dried up the dewy morn, And scarce the herd gone to the hedge for shade, When Cytherea, all in love forlorn, A brook where Adon used to cool his spleen: The sun look'd on the world with glorious eye, Yet not so wistly as this queen on him. He, spying her, bounced in, whereas he stood: 'O Jove,' quoth she, 'why was not I a flood!' VII. Fair is my love, but not so fair as fickle; A lily pale, with damask dye to grace her, Her lips to mine how often hath she joined, Between each kiss her oaths of true love swearing! How many tales to please me hath she coined, Dreading my love, the loss thereof still fear ing! Yet in the midst of all her pure protestings, Her faith, her oaths, her tears, and all were jestings. She burn'd with love, as straw with fire flameth; She burn'd out love, as soon as straw outburneth; She framed the love, and yet she foil'd the framing; She bade love last, and yet she fell a-turning. Was this a lover, or a lecher whether? 101 Bad in the best, though excellent in neither. VIII. If music and sweet poetry agree, As they must needs, the sister and the brother Then must the love be great 'twixt thee and me, Because thou lovest the one, and I the other. Dowland to thee is dear, whose heavenly touch Upon the lute doth ravish human sense; And I in deep delight am chiefly drown'd One god is god of both, as poets feign; Paler for sorrow than her milk-white dove, 'Once,' quoth she, 'did I see a fair sweet youth Here in these brakes deep-wounded with a boar, Deep in the thigh, a spectacle of ruth! See, in my thigh,' quoth she, 'here was the sore.' She showed hers: he saw more wounds than one, And blushing fled, and left her all alone. 130 X. Sweet rose, fair flower, untimely pluck'd soon vaded, Pluck'd in the bud, and vaded in the spring Bright orient pearl, alack, too timely shaded Fair creature, kill'd too soon by death's sharp sting! Like a green plum that hangs upon a tree, And falls, through wind, before the fall should be. I weep for thee, and yet no cause I have; O yes, dear friend, I pardon crave of thee, XI. Venus, with young Adonis sitting by her Under a myrtle shade, began to woo him: She told the youngling how god Mars did try her, And as he fell to her, so fell she to him. 170 Beauty is but a vain and doubtful good; A doubtful good, a gloss, a glass, a flower, So beauty blemish'd once 's for ever lost, In spite of physic, painting, pain and cost. XIV. Good night, good rest. Ah, neither be my share: 181 She bade good night that kept my rest away; And daff'd me to a cabin hang'd with care, To descant on the doubts of my decay. 'Farewell,' quoth she, 'and come again tomorrow :' [row. Fare well I could not, for I supp'd with sorYet at my parting sweetly did she smile, In scorn or friendship, nill I construe whether: 'T may be, she joy'd to jest at my exile, 'T may be, again to make me wander thither: 'Wander,' a word for shadows like myself, As take the pain, but cannot pluck the pelf. |