prefaces biographical and crirical to the works of the english poets1781 |
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5 ページ
... fame proportion in his other exercises , it cannot be thought that his lofs was great . He tells of himfelf , in his poems , that he lifp'd in numbers ; and used to fay that he could not remember the time when he began to make verfes ...
... fame proportion in his other exercises , it cannot be thought that his lofs was great . He tells of himfelf , in his poems , that he lifp'd in numbers ; and used to fay that he could not remember the time when he began to make verfes ...
9 ページ
... forward boys have attained , aud which is not equal to Cowley's performances at the fame age . His time was now fpent wholly in reading and writing . As he read the Claf Clafficks , he amufed himself with tranflating them ; and POPE .
... forward boys have attained , aud which is not equal to Cowley's performances at the fame age . His time was now fpent wholly in reading and writing . As he read the Claf Clafficks , he amufed himself with tranflating them ; and POPE .
19 ページ
... fame ; and , being delighted with rural poems , re- commended to him to write a paftoral comedy , like those which are read fo eagerly in Italy ; a defign which Pope probably did not approve , as he did not follow it . Pope had now ...
... fame ; and , being delighted with rural poems , re- commended to him to write a paftoral comedy , like those which are read fo eagerly in Italy ; a defign which Pope probably did not approve , as he did not follow it . Pope had now ...
22 ページ
... fame year was written the Elay on Criticifm ; a work which difplays fuch extent of comprehenfion , fuch nicety of diftinction , fuch acquaintance with man- kind , and fuch knowledge both of an- cient and modern learning , as are not ...
... fame year was written the Elay on Criticifm ; a work which difplays fuch extent of comprehenfion , fuch nicety of diftinction , fuch acquaintance with man- kind , and fuch knowledge both of an- cient and modern learning , as are not ...
23 ページ
... fame time but truth , " candour , friendship , good - nature , hu- manity , and magnanimity . " 66 How the attack was clandeftine is not eafily perceived , nor how his perfon is depreciated ; but he feems to have known fomething of ...
... fame time but truth , " candour , friendship , good - nature , hu- manity , and magnanimity . " 66 How the attack was clandeftine is not eafily perceived , nor how his perfon is depreciated ; but he feems to have known fomething of ...
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268 ページ - Pope had only a little, because Dryden had more ; for every other writer since Milton must give place to Pope ; and even of Dryden it must be said, that, if he has brighter paragraphs, he has not better poems.
329 ページ - After all this it is surely superfluous to answer the question that has once been asked, whether Pope was a poet? otherwise than by asking in return, if Pope be not a poet, where is poetry to be found?
110 ページ - Here he planted the vines and the quincunx which his verses mention; and being under the necessity of making a subterraneous passage to a garden on the other side of the road, he adorned it with fossile bodies, and dignified it with the title of a grotto; a place of silence and retreat, from which he endeavoured to persuade his friends and himself that cares and passions could be excluded.
268 ページ - Of genius, that power which constitutes a poet, that quality without which judgment is cold and knowledge is inert, that energy which collects, combines, amplifies, and animates, the superiority must, with some hesitation, be allowed to Dryden.
269 ページ - What his mind could supply at call, or gather in one excursion, was all that he sought, and all that he gave. The dilatory caution of Pope enabled him to condense his sentiments, to multiply his images, and to accumulate all that study might produce, or chance might supply.
262 ページ - He professed to have learned his poetry from Dryden, whom, whenever an opportunity was presented, he praised through his whole life with unvaried liberality; and perhaps his character may receive some illustration, if he be compared with his master.
264 ページ - ... none to himself. He examined lines and words with minute and punctilious observation, and retouched every part with indefatigable diligence, till he had left nothing to be forgiven.
222 ページ - His legs were so slender, that he enlarged their bulk with three pair of stockings, which were drawn on and off by the maid; for he was not able to dress or undress himself, and neither went to bed nor rose without help.
267 ページ - Pope in his local manners. The notions of Dryden were formed by comprehensive speculation, and those of Pope by minute attention. There is more dignity in the knowledge of Dryden, and more certainty in that of Pope. * Poetry was not the...
9 ページ - Who does not wish that Dryden could have known the value of the homage that was paid him, and foreseen the greatness of his young admirer ? The earliest of Pope's productions is his Ode on Solitude...