Psychology Press, 2004/12/23 - 211 ページ
First published in 1987.
Often the best known and most memorable passages in Shakespeare's plays, the soliloquies, also tend to be the focal points in the drama. Twenty-seven soliloquies are examined in this work, illustrating how the spectator or reader is led to the soliloquy and how the drama is continued afterwards. The detailed structure of each soliloquy is discussed, as well as examining them within the structure of the entire play - thereby extending the interpretation of the work as a whole.
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abstract action actor already Angelo ape of death apostrophe appearance aroused audience audience's aware becomes beginning Bertram Brutus Caesar character comedy comic concrete contrast conveyed Cymbeline dagger death dialogue dramatic effect Elizabethan emotions epithalamium expression eyes Falstaff farewell father feelings follow further Gentlemen of Verona gestures give Hamlet hath Helena honour human II.ii images imagination Imogen impression inner Isabella jests at scars Juliet Julius Caesar king King Lear lachimo Lady Macbeth language last soliloquy Launce Lear lines look loquy lovers Lucius magic Malvolio metaphor mind monologue murder nature night observations Othello particular passage play plot presented Prospero question reflection reveal rhetorical Richard Richard II Romeo Romeo and Juliet sense sentence sequence Shakespeare Shakespeare's soliloquies situation sleep soli speaker speaks speech spoken stage style thee thou thoughts tragedies tragic Twelfth Night Tybalt vision words