Shakespeare's SoliloquiesPsychology Press, 1987 - 211 ページ First published in 1987. Often the best known and most memorable passages in Shakespeare's plays, the soliloquies, also tend to be the focal points in the drama. Twenty-seven soliloquies are examined in this work, illustrating how the spectator or reader is led to the soliloquy and how the drama is continued afterwards. The detailed structure of each soliloquy is discussed, as well as examining them within the structure of the entire play - thereby extending the interpretation of the work as a whole. |
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... Richard Clay Ltd , Bungay , Suffolk All rights reserved . No part of this book may be reprinted or reproduced or utilized in any form or by an electronic , mechanical or other means , now known or hereafter invented , including ...
... Richard Clay Ltd , Bungay , Suffolk All rights reserved . No part of this book may be reprinted or reproduced or utilized in any form or by an electronic , mechanical or other means , now known or hereafter invented , including ...
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... Richard , Duke of Gloucester , solus ix I 13 ( I.i.1–41 ) 15 Richard awakes from his nightmare – his last soliloquy ( V.iii . 178-207 ) - 19 HENRY IV , PART ONE RICHARD II Richard II's prison soliloquy ( V.v.1–66 ) KING JOHN The Bastard ...
... Richard , Duke of Gloucester , solus ix I 13 ( I.i.1–41 ) 15 Richard awakes from his nightmare – his last soliloquy ( V.iii . 178-207 ) - 19 HENRY IV , PART ONE RICHARD II Richard II's prison soliloquy ( V.v.1–66 ) KING JOHN The Bastard ...
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目次
SOLILOQUIES FROM THE HISTORY | 13 |
Richard awakes from his nightmare his last | 19 |
KING JOHN | 29 |
Falstaffs reflections on honour V i 12541 | 38 |
TWO GENTLEMEN OF VERONA | 45 |
TWELFTH NIGHT | 51 |
ALLS WELL THAT ENDS WELL | 60 |
CYMBELINE | 72 |
35 | 100 |
OTHELLO | 163 |
KING LEAR | 171 |
CONCLUSION | 179 |
NOTES | 193 |
195 | |
202 | |
210 | |
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多く使われている語句
abstract action actor already Angelo apostrophe appearance audience audience's awareness becomes beginning Bertram Brutus character close comedy comic concrete contrast convey Cymbeline dagger death Desdemona dialogue dramatic dramatists earlier effect Elizabethan emotions epithalamium expression eyes Falstaff father feelings figure final soliloquy follow further Gentlemen of Verona gestures give Hamlet hath Helena honour human Iachimo II.ii images imagination Imogen impression inner Isabella Julius Caesar King Lear Lady Macbeth language last soliloquy Launce Lear's lines look loquy lovers magic Malvolio mind monologue murder nature night observation opening Othello particular passage plot pre-Shakespearean preceding scenes presented Prospero questions reflection reveal rhetorical Richard Richard III role Romeo and Juliet sense sentence Shakespeare Shakespeare's plays Shakespeare's soliloquies situation sleep soli soliloquizing speeches speaker speaks spoken style thee thou thoughts tragedies tragic Twelfth Night Tybalt utterances vision whole words