Shakespeare and His ComediesMethuen, 1957 - 207 ページ "The comedies of Shakespeare have received substantially less critical attention than the tragedies or the histories. Dr. Brown's account of the comedies succeeds in isolating the distinctive genre as well as acknowledging the capriciousness and astonishing vitality of invention which Shakespeare brought to it."--Back cover. |
目次
Preface page | 9 |
Experiments in Comedy | 27 |
Loves Wealth and the Judgement of The 451 | 45 |
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accept action actors Adriana All's Antonio appearance Arden audience Bassanio Benedick and Beatrice Bertram Cesario characters Claudio Comedy of Errors comic conclusion contrast critics dance dialogue disorder doth dramatic duke early comedies eyes fairies Falstaff fool generosity give and hazard Helena Hero history-plays human ideal of love's ideas Illyria implicit judgement intrigue comedies Jaques Katharina king last scene Leonato lively Love's Labour's Lost love's order love's truth love's wealth lover's imagination lovers Malvolio Measure for Measure Merchant of Venice Merry Wives Midsummer Night's Dream mind narrative Olivia Orlando Orsino outward beauty Parolles Pedro Petruchio play plot Portia present recognizes relationships Romeo and Juliet Rosalind Sebastian seems Shake Shakespeare Shakespeare's comedies Shakespeare's ideal Shrew Shylock Silvius Sir Toby sonnets speak stage story structure suggested sweet thee theme Theseus thou Touchstone tragedies Troilus true Twelfth Night usury Viola vision wooing words