The Staging of Romance in Late Shakespeare: Text and Theatrical TechniqueUniversity of Delaware Press, 2007 - 304 ページ Few plays have both attracted and resisted genre study as strongly as Shakespeare's late plays. The Staging of Romance in Late Shakespeare: Text and Theatrical Technique takes a fresh approach to the role of genre in these plays by placing them in relation to the tradition of staged romance in the early modern English theater. The book argues that Shakespeare's late plays can best be understood as theatrical experiments that extend and reform this tradition, which developed around a group of theatrical techniques that sought to realize the effects of narrative romance in the theatrical medium. Their central effect was the creation of admiration in the spectators for heroic action; the value of the plays within the culture derived from this experience. |
この書籍内から
検索結果1-5 / 78
12 ページ
... characters , actors , and audiences to the boundary between humanly producible trans- formations and supernatural ones , exploring the extent to which human change can be understood as a theatrical event : that is , as a human action ...
... characters , actors , and audiences to the boundary between humanly producible trans- formations and supernatural ones , exploring the extent to which human change can be understood as a theatrical event : that is , as a human action ...
13 ページ
... characters — and their observers to understand more precisely the power and the value of staging romance . Examination of these transactions in late Shakespeare entails a dual focus , one theatrical and the other dramatic . On the one ...
... characters — and their observers to understand more precisely the power and the value of staging romance . Examination of these transactions in late Shakespeare entails a dual focus , one theatrical and the other dramatic . On the one ...
14 ページ
... characters of the play , including himself . Iago succeeds in his project by leading the characters to submit themselves to his narratives . They come to see themselves through his improvised stories instead of through their own ...
... characters of the play , including himself . Iago succeeds in his project by leading the characters to submit themselves to his narratives . They come to see themselves through his improvised stories instead of through their own ...
15 ページ
... characters they portray . Aris- totle attributes the power of mimetic action to inspire imitation to the fact that human beings instinctively imitate one another.10 Fran- cis Fergusson goes further , concluding from consideration of ...
... characters they portray . Aris- totle attributes the power of mimetic action to inspire imitation to the fact that human beings instinctively imitate one another.10 Fran- cis Fergusson goes further , concluding from consideration of ...
17 ページ
... character weep and an actor dangling from a rope to make a character fly : fully embodied mimetic action , mimetic ... characters to act with great virtue . Tests of virtue ( espe- cially the virtue of women ) abound in the late plays ...
... character weep and an actor dangling from a rope to make a character fly : fully embodied mimetic action , mimetic ... characters to act with great virtue . Tests of virtue ( espe- cially the virtue of women ) abound in the late plays ...
目次
11 | |
Leontes Jealousy The Experience of Uncertainty and Generic Conflict | 30 |
The Development of Dramatic Romance 15701610 | 60 |
Hermione Paulina and Their Audiences The Role of Mimetic Involvements in Transformation | 117 |
Achieved Miracle Completion in Dramatic Romance | 156 |
他の版 - すべて表示
多く使われている語句
accept achieve action actor appears audience becomes begins body bring Camillo challenge chapter characters claims condition continues court create critics desire dramatic romance early effects efforts emotional enactment English experience feelings final Florizel follow genre give harmony heart Henry Hermione Hermione's heroic heroic action honor human important involvement jealousy kind King language late plays lead Leontes limits lords means mimetic modal mode move nature Noble observation offers opening passion pastoral Paulina Perdita performance Philaster play play's plot political Polixenes possible presents production Prospero question representation represented response reveal rhetoric role scene seems sense Shakespeare shows social sort speaks spectacle spectators speech staging story struggle style suffering suggests Tale techniques Tempest theater theatrical tion tradition tragedy tragic transformation truth turn uncertainty University Press values virtue Winter's Winter's Tale witness
人気のある引用
9 ページ - Though with their high wrongs I am struck to the quick, Yet, with my nobler reason, 'gainst my fury Do I take part : the rarer action is In virtue than in vengeance...