The Staging of Romance in Late Shakespeare: Text and Theatrical TechniqueUniversity of Delaware Press, 2007 - 304 ページ Few plays have both attracted and resisted genre study as strongly as Shakespeare's late plays. The Staging of Romance in Late Shakespeare: Text and Theatrical Technique takes a fresh approach to the role of genre in these plays by placing them in relation to the tradition of staged romance in the early modern English theater. The book argues that Shakespeare's late plays can best be understood as theatrical experiments that extend and reform this tradition, which developed around a group of theatrical techniques that sought to realize the effects of narrative romance in the theatrical medium. Their central effect was the creation of admiration in the spectators for heroic action; the value of the plays within the culture derived from this experience. |
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7 ページ
... final dissertation offered signs that the project might have more life in it . As the project has come into its second life as a book , it has contin- ued to benefit from the generous insights of many readers . My col- league Barbara ...
... final dissertation offered signs that the project might have more life in it . As the project has come into its second life as a book , it has contin- ued to benefit from the generous insights of many readers . My col- league Barbara ...
14 ページ
... final speech — ' O bloody period ! ' — insists precisely upon the fact that it was a speech , that this life fashioned as a text is ended as a text . " When looking at the phrase , " O bloody period ! " Greenblatt's reading places all ...
... final speech — ' O bloody period ! ' — insists precisely upon the fact that it was a speech , that this life fashioned as a text is ended as a text . " When looking at the phrase , " O bloody period ! " Greenblatt's reading places all ...
24 ページ
... final reunification of his family is achieved when he tells his story at Di- ana's temple in Ephesus , drawing out Thaisa's response.30 In Cymbeline also , much of the plot turns on characters living out the continuation of stories that ...
... final reunification of his family is achieved when he tells his story at Di- ana's temple in Ephesus , drawing out Thaisa's response.30 In Cymbeline also , much of the plot turns on characters living out the continuation of stories that ...
28 ページ
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29 ページ
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目次
11 | |
Leontes Jealousy The Experience of Uncertainty and Generic Conflict | 30 |
The Development of Dramatic Romance 15701610 | 60 |
Hermione Paulina and Their Audiences The Role of Mimetic Involvements in Transformation | 117 |
Achieved Miracle Completion in Dramatic Romance | 156 |
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多く使われている語句
accept achieve action actor appears audience becomes begins body bring Camillo challenge chapter characters claims condition continues court create critics desire dramatic romance early effects efforts emotional enactment English experience feelings final Florizel follow genre give harmony heart Henry Hermione Hermione's heroic heroic action honor human important involvement jealousy kind King language late plays lead Leontes limits lords means mimetic modal mode move nature Noble observation offers opening passion pastoral Paulina Perdita performance Philaster play play's plot political Polixenes possible presents production Prospero question representation represented response reveal rhetoric role scene seems sense Shakespeare shows social sort speaks spectacle spectators speech staging story struggle style suffering suggests Tale techniques Tempest theater theatrical tion tradition tragedy tragic transformation truth turn uncertainty University Press values virtue Winter's Winter's Tale witness
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9 ページ - Though with their high wrongs I am struck to the quick, Yet, with my nobler reason, 'gainst my fury Do I take part : the rarer action is In virtue than in vengeance...