The Staging of Romance in Late Shakespeare: Text and Theatrical TechniqueUniversity of Delaware Press, 2007 - 304 ページ Few plays have both attracted and resisted genre study as strongly as Shakespeare's late plays. The Staging of Romance in Late Shakespeare: Text and Theatrical Technique takes a fresh approach to the role of genre in these plays by placing them in relation to the tradition of staged romance in the early modern English theater. The book argues that Shakespeare's late plays can best be understood as theatrical experiments that extend and reform this tradition, which developed around a group of theatrical techniques that sought to realize the effects of narrative romance in the theatrical medium. Their central effect was the creation of admiration in the spectators for heroic action; the value of the plays within the culture derived from this experience. |
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... genre study as strongly as Shakespeare's late plays . The Staging of Romance in Late Shakespeare : Text and Theatrical Technique takes a fresh approach to the role of genre in these plays by placing them in relation to the tradition of ...
... genre study as strongly as Shakespeare's late plays . The Staging of Romance in Late Shakespeare : Text and Theatrical Technique takes a fresh approach to the role of genre in these plays by placing them in relation to the tradition of ...
13 ページ
... genre of romance , seeking to discover how it is possible that people can im- prove their lives . They risk failing to satisfy performers and specta- tors in order to create an opportunity for such discovery.5 Change As A Theatrical ...
... genre of romance , seeking to discover how it is possible that people can im- prove their lives . They risk failing to satisfy performers and specta- tors in order to create an opportunity for such discovery.5 Change As A Theatrical ...
18 ページ
... genre in highly complex ways that have provoked lasting disagreement among critics about just what their genre is , although there is agreement about the 18 THE STAGING OF ROMANCE IN LATE SHAKESPEARE.
... genre in highly complex ways that have provoked lasting disagreement among critics about just what their genre is , although there is agreement about the 18 THE STAGING OF ROMANCE IN LATE SHAKESPEARE.
19 ページ
... genres used in the plays interact with one another . Simon Palfrey catches the tone of these recent approaches to genre in the late plays when he claims : " It is important to recognize ' difficult ' moments , and to see how ro- mance ...
... genres used in the plays interact with one another . Simon Palfrey catches the tone of these recent approaches to genre in the late plays when he claims : " It is important to recognize ' difficult ' moments , and to see how ro- mance ...
20 ページ
... genres associ- ated with action . This feature of genres is usually identified as their mode : a term originating with ... genre in which they are work- ing . At the same time , they skeptically challenge their opponents ' claims about ...
... genres associ- ated with action . This feature of genres is usually identified as their mode : a term originating with ... genre in which they are work- ing . At the same time , they skeptically challenge their opponents ' claims about ...
目次
11 | |
Leontes Jealousy The Experience of Uncertainty and Generic Conflict | 30 |
The Development of Dramatic Romance 15701610 | 60 |
Hermione Paulina and Their Audiences The Role of Mimetic Involvements in Transformation | 117 |
Achieved Miracle Completion in Dramatic Romance | 156 |
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多く使われている語句
accept achieve action actor appears audience becomes begins body bring Camillo challenge chapter characters claims condition continues court create critics desire dramatic romance early effects efforts emotional enactment English experience feelings final Florizel follow genre give harmony heart Henry Hermione Hermione's heroic heroic action honor human important involvement jealousy kind King language late plays lead Leontes limits lords means mimetic modal mode move nature Noble observation offers opening passion pastoral Paulina Perdita performance Philaster play play's plot political Polixenes possible presents production Prospero question representation represented response reveal rhetoric role scene seems sense Shakespeare shows social sort speaks spectacle spectators speech staging story struggle style suffering suggests Tale techniques Tempest theater theatrical tion tradition tragedy tragic transformation truth turn uncertainty University Press values virtue Winter's Winter's Tale witness
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9 ページ - Though with their high wrongs I am struck to the quick, Yet, with my nobler reason, 'gainst my fury Do I take part : the rarer action is In virtue than in vengeance...