The Staging of Romance in Late Shakespeare: Text and Theatrical TechniqueUniversity of Delaware Press, 2007 - 304 ページ Few plays have both attracted and resisted genre study as strongly as Shakespeare's late plays. The Staging of Romance in Late Shakespeare: Text and Theatrical Technique takes a fresh approach to the role of genre in these plays by placing them in relation to the tradition of staged romance in the early modern English theater. The book argues that Shakespeare's late plays can best be understood as theatrical experiments that extend and reform this tradition, which developed around a group of theatrical techniques that sought to realize the effects of narrative romance in the theatrical medium. Their central effect was the creation of admiration in the spectators for heroic action; the value of the plays within the culture derived from this experience. |
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12 ページ
... limits , they hint that changes surpassing these limits may occur when this statue is viewed . The First Gentleman exhorts his companions to be on their way with words that echo Paul's : " Who would be thence that has the benefit of ...
... limits , they hint that changes surpassing these limits may occur when this statue is viewed . The First Gentleman exhorts his companions to be on their way with words that echo Paul's : " Who would be thence that has the benefit of ...
16 ページ
... limits in performance.14 Therefore , testing this limit can become a major project in Shakespeare's late plays and their performances . Plays that turn on theophany , sorcery , and resurrection — human ac- tions that meet or come to ...
... limits in performance.14 Therefore , testing this limit can become a major project in Shakespeare's late plays and their performances . Plays that turn on theophany , sorcery , and resurrection — human ac- tions that meet or come to ...
18 ページ
... limits of the mimetic techniques that realize virtuous action must be settled differently in every performance . The text's raising a question about the perform- ability of virtuous action creates a challenge for performers , but it ...
... limits of the mimetic techniques that realize virtuous action must be settled differently in every performance . The text's raising a question about the perform- ability of virtuous action creates a challenge for performers , but it ...
23 ページ
... the struggle are set by the story , but the resolu- tion is particular to the individual listener : Gloucester's response de- pends on the quality and limits of his constitution . 1 : INTRODUCTION : TRANSFORMATION , THEATER , AND ROMANCE ...
... the struggle are set by the story , but the resolu- tion is particular to the individual listener : Gloucester's response de- pends on the quality and limits of his constitution . 1 : INTRODUCTION : TRANSFORMATION , THEATER , AND ROMANCE ...
24 ページ
Text and Theatrical Technique Christopher J. Cobb. pends on the quality and limits of his constitution . This kind of participatory resolution of the story by living out its continuation is judgment in its most significant sense . Such ...
Text and Theatrical Technique Christopher J. Cobb. pends on the quality and limits of his constitution . This kind of participatory resolution of the story by living out its continuation is judgment in its most significant sense . Such ...
目次
11 | |
Leontes Jealousy The Experience of Uncertainty and Generic Conflict | 30 |
The Development of Dramatic Romance 15701610 | 60 |
Hermione Paulina and Their Audiences The Role of Mimetic Involvements in Transformation | 117 |
Achieved Miracle Completion in Dramatic Romance | 156 |
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多く使われている語句
accept achieve action actor appears audience becomes begins body bring Camillo challenge chapter characters claims condition continues court create critics desire dramatic romance early effects efforts emotional enactment English experience feelings final Florizel follow genre give harmony heart Henry Hermione Hermione's heroic heroic action honor human important involvement jealousy kind King language late plays lead Leontes limits lords means mimetic modal mode move nature Noble observation offers opening passion pastoral Paulina Perdita performance Philaster play play's plot political Polixenes possible presents production Prospero question representation represented response reveal rhetoric role scene seems sense Shakespeare shows social sort speaks spectacle spectators speech staging story struggle style suffering suggests Tale techniques Tempest theater theatrical tion tradition tragedy tragic transformation truth turn uncertainty University Press values virtue Winter's Winter's Tale witness
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9 ページ - Though with their high wrongs I am struck to the quick, Yet, with my nobler reason, 'gainst my fury Do I take part : the rarer action is In virtue than in vengeance...