The Staging of Romance in Late Shakespeare: Text and Theatrical TechniqueUniversity of Delaware Press, 2007 - 304 ページ Few plays have both attracted and resisted genre study as strongly as Shakespeare's late plays. The Staging of Romance in Late Shakespeare: Text and Theatrical Technique takes a fresh approach to the role of genre in these plays by placing them in relation to the tradition of staged romance in the early modern English theater. The book argues that Shakespeare's late plays can best be understood as theatrical experiments that extend and reform this tradition, which developed around a group of theatrical techniques that sought to realize the effects of narrative romance in the theatrical medium. Their central effect was the creation of admiration in the spectators for heroic action; the value of the plays within the culture derived from this experience. |
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18 ページ
... questions that a mimetic performance of Prospero's change of heart must address to fully enact this change . Even if ... question about the perform- ability of virtuous action creates a challenge for performers , but it does not dictate ...
... questions that a mimetic performance of Prospero's change of heart must address to fully enact this change . Even if ... question about the perform- ability of virtuous action creates a challenge for performers , but it does not dictate ...
19 ページ
... question of how the various genres used in the plays interact with one another . Simon Palfrey catches the tone of these recent approaches to genre in the late plays when he claims : " It is important to recognize ' difficult ' moments ...
... question of how the various genres used in the plays interact with one another . Simon Palfrey catches the tone of these recent approaches to genre in the late plays when he claims : " It is important to recognize ' difficult ' moments ...
20 ページ
... question we implicitly put to any work we interpret : what no- tions of human strength , possibilities , pleasures ... questions . . . is the implicit view of the hero's or speaker's or reader's strength relative to his or her world ...
... question we implicitly put to any work we interpret : what no- tions of human strength , possibilities , pleasures ... questions . . . is the implicit view of the hero's or speaker's or reader's strength relative to his or her world ...
21 ページ
... questions : " What would you have me do ? Go to the wars , would you ? where a man may serve seven years for the loss of a leg , and have not money enough in the end to buy him a wooden one ? " ( 4.6.170-73 ) . His questions imply that ...
... questions : " What would you have me do ? Go to the wars , would you ? where a man may serve seven years for the loss of a leg , and have not money enough in the end to buy him a wooden one ? " ( 4.6.170-73 ) . His questions imply that ...
25 ページ
... question : " Can the mode of romance be effectively enacted by means of theatrical techniques , and to what extent can those techniques extend into social practice as well , through 1 : INTRODUCTION : TRANSFORMATION , THEATER , AND ...
... question : " Can the mode of romance be effectively enacted by means of theatrical techniques , and to what extent can those techniques extend into social practice as well , through 1 : INTRODUCTION : TRANSFORMATION , THEATER , AND ...
目次
11 | |
Leontes Jealousy The Experience of Uncertainty and Generic Conflict | 30 |
The Development of Dramatic Romance 15701610 | 60 |
Hermione Paulina and Their Audiences The Role of Mimetic Involvements in Transformation | 117 |
Achieved Miracle Completion in Dramatic Romance | 156 |
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多く使われている語句
accept achieve action actor appears audience becomes begins body bring Camillo challenge chapter characters claims condition continues court create critics desire dramatic romance early effects efforts emotional enactment English experience feelings final Florizel follow genre give harmony heart Henry Hermione Hermione's heroic heroic action honor human important involvement jealousy kind King language late plays lead Leontes limits lords means mimetic modal mode move nature Noble observation offers opening passion pastoral Paulina Perdita performance Philaster play play's plot political Polixenes possible presents production Prospero question representation represented response reveal rhetoric role scene seems sense Shakespeare shows social sort speaks spectacle spectators speech staging story struggle style suffering suggests Tale techniques Tempest theater theatrical tion tradition tragedy tragic transformation truth turn uncertainty University Press values virtue Winter's Winter's Tale witness
人気のある引用
9 ページ - Though with their high wrongs I am struck to the quick, Yet, with my nobler reason, 'gainst my fury Do I take part : the rarer action is In virtue than in vengeance...