Practical Illustrations of Rhetorical Gesture and ActionB. Blom, 1968 - 393 ページ |
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... lively impressions upon all the senses ; such , for example , as good cheer , smil- ing , singing , clapping of hands , dancing , and a desire to communicate with those whom we wish to interest in the felicity of our lot ; a species of ...
... lively impressions upon all the senses ; such , for example , as good cheer , smil- ing , singing , clapping of hands , dancing , and a desire to communicate with those whom we wish to interest in the felicity of our lot ; a species of ...
223 ページ
... lively and thinking idea predominates exclusively , and subsists with a force nearly equal to the sentiment ? To those who propose such questions , I shall reply , that they expect from the theory of gesture and thea- trical action more ...
... lively and thinking idea predominates exclusively , and subsists with a force nearly equal to the sentiment ? To those who propose such questions , I shall reply , that they expect from the theory of gesture and thea- trical action more ...
225 ページ
... lively impatience of desire ; it is equally clear that , in this situation , the play of the actor ought to express this impatience solely , and that , consequently , it is quite impos- sible for him to find sufficient time to indicate ...
... lively impatience of desire ; it is equally clear that , in this situation , the play of the actor ought to express this impatience solely , and that , consequently , it is quite impos- sible for him to find sufficient time to indicate ...
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according action actor admiration affections agreeable Alcestis ancient appears Aristotle arms art of gesture attitude Bajazet beautiful body cause cesuras character choler Cicero comedian comedy contempt contrary countenance Cymbeline declamation degree Descartes desire drama elevated equally evil example excite expression exterior eyes fear feeble give grief hand head heart ideas imitation interior operations kind language less LETTER Man-The manner means ment metre mind mode modifications mouth movements muscles nature neral Niobe object observation opinion orator oratorical declamation Othello painting pantomime passion perfect person personages physiognomy Plate play poet present pression proper prose Pylades Quintilian racter remark render represented rule scene sense sensible senti sentiment shades sion situation soft solely sometimes soul speak species spectators sublime Tancred tears theatre theatrical Thespis thing Tiberius tion tone traits tranquil truth ture verse versification violent vivacity whilst whole wish words