Practical Illustrations of Rhetorical Gesture and ActionB. Blom, 1968 - 393 ページ |
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39 ページ
... Perhaps the Italian wishes to make known , by this gesture , that which the inhabitant of Germany means to insinuate by a particular phrase , the sense of which is , " nothing troubles me . " Perhaps too he means to say that he thinks ...
... Perhaps the Italian wishes to make known , by this gesture , that which the inhabitant of Germany means to insinuate by a particular phrase , the sense of which is , " nothing troubles me . " Perhaps too he means to say that he thinks ...
75 ページ
... perhaps supply it by ingenious hypotheses - but this resource , no doubt , would not please you , and you would look on this expenditure of ingenuity as ill employed . The shaking of the head in negation , and the motion previous to ...
... perhaps supply it by ingenious hypotheses - but this resource , no doubt , would not please you , and you would look on this expenditure of ingenuity as ill employed . The shaking of the head in negation , and the motion previous to ...
93 ページ
... no great moment , we shall commence with the desire which inclines us to approach near to our object . LETTER XIII . Violent and feeble Desires - Difference of. GESTURE AND ACTION . 93 united together: perhaps they will be found ...
... no great moment , we shall commence with the desire which inclines us to approach near to our object . LETTER XIII . Violent and feeble Desires - Difference of. GESTURE AND ACTION . 93 united together: perhaps they will be found ...
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according action actor admiration affections agreeable Alcestis ancient appears Aristotle arms art of gesture attitude Bajazet beautiful body cause cesuras character choler Cicero comedian comedy contempt contrary countenance Cymbeline declamation degree Descartes desire drama elevated equally evil example excite expression exterior eyes fear feeble give grief hand head heart ideas imitation interior operations kind language less LETTER Man-The manner means ment metre mind mode modifications mouth movements muscles nature neral Niobe object observation opinion orator oratorical declamation Othello painting pantomime passion perfect person personages physiognomy Plate play poet present pression proper prose Pylades Quintilian racter remark render represented rule scene sense sensible senti sentiment shades sion situation soft solely sometimes soul speak species spectators sublime Tancred tears theatre theatrical Thespis thing Tiberius tion tone traits tranquil truth ture verse versification violent vivacity whilst whole wish words