| George Campbell - 1801 - 404 ページ
...signature, in which there is not even a glimpse of meaning, we have in the following lines of Dryden : From harmony, from heavenly harmony This universal frame began : From harmony to harmony Thro' all the compass of the notes it ran, The diapason closing full in man *. In general it may be... | |
| Great Britain - 1804 - 716 ページ
...dead. Then cold and hot, and moist and dry, In order to their stations leap, . And musick's power obey. From harmony, from heavenly harmony, This universal...all the compass of the notes it ran, The diapason closing-full in man. The conclusion is likewise striking, but it includes an image so awful in itself,... | |
| Lindley Murray - 1805 - 350 ページ
...same nature, ia which there is scarcely a glimpse of meaning, though it was composed by an eminent poet. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Thro' all the compass of the notes it ran, The diapason closing full in man.In general, it may be said,... | |
| John Dryden, Walter Scott - 1808 - 506 ページ
...dead." Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal...harmony to harmony Through all the compass of the rotes it ran, The diapason * closing full in man. II. What passion cannot music raise and quell ? When... | |
| John Dryden - 1808 - 500 ページ
...dead." Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony 10 Through all the compass of the notes it ran, The diapason * closing full in man. i II. What passion... | |
| Lindley Murray - 1809 - 352 ページ
...same nature, in which there is scarcely a glimpse of meaning, though it was composed by an eminent poet. From harmony, from heavenly harmony, This universal frame began : From harmony to haflnouy Thro'all the compass of the notes it ran, The diapason dosing full in man. In general, it... | |
| Joseph Addison - 1810 - 312 ページ
...dead. Then cold, and hot, and moist, and dry, in order to their stations leap, and Music's power obey. From harmony, from heavenly harmony, this universal...harmony through all the compass of the notes it ran, the dispason closing full in Man. What passion cannot Music raise and quell! when Jubal struck the chorded... | |
| Abraham Cowley - 1810 - 314 ページ
...dead. Then cold, and hot, and moist, and dry, in order to their stations leap, and Music's power obey. From harmony, from heavenly harmony, this universal...harmony through all the compass of the notes it ran, the dispason closing full in Man. What passion cannot Music raise and quell! when Jubal struck the chorded... | |
| Alexander Chalmers - 1819 - 644 ページ
...dead." Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal...to harmony Through all the compass of the notes it r.ni, The diapason closing fall in man. What passion cannot Music raise and qnell ? When Jubal struck... | |
| Samuel Johnson - 1825 - 508 ページ
...• Then cold and hot, and moist and dry, In order to their stations leap, And musick's power obey. From harmony, from heavenly harmony, This universal...harmony to harmony Through all the compass of the iiotes it ran, The diapason closing full in man. The conclusion is likewise striking ; but it includes... | |
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