Renaissance DramaLeonard Barkan Northwestern University Press, 1979 - 216 ページ |
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... Revenge's Cave . 24 Titus's subsequent actions are not noble , but they are vigorous , witty , and successful , and thus not barren . Titus's reactions seem mad in terms of the reactions of Marcus and Lucius , but his brother and son ...
... Revenge's Cave . 24 Titus's subsequent actions are not noble , but they are vigorous , witty , and successful , and thus not barren . Titus's reactions seem mad in terms of the reactions of Marcus and Lucius , but his brother and son ...
87 ページ
... revenge because , as he explains to Chiron and Demetrius before he cuts their throats , grinds their bones , and bakes them in a pie to serve their mother , worse than Philomel you us'd my daughter , And worse than Progne I will be ...
... revenge because , as he explains to Chiron and Demetrius before he cuts their throats , grinds their bones , and bakes them in a pie to serve their mother , worse than Philomel you us'd my daughter , And worse than Progne I will be ...
90 ページ
... revenge , moves the audience beyond the vision of normalcy Mar- cus and Lucius adhere to . Like Barabas , and Hieronimo in The Spanish Tragedy ( 1587 ? ) , Titus engages in a revenge which transcends what is merely necessary and which ...
... revenge , moves the audience beyond the vision of normalcy Mar- cus and Lucius adhere to . Like Barabas , and Hieronimo in The Spanish Tragedy ( 1587 ? ) , Titus engages in a revenge which transcends what is merely necessary and which ...
目次
The Uniqueness of Unico | 1 |
Comic Violence in Titus | 71 |
FRANK WHIGHAM Ideology and Class Conduct in The Merchant of Venice | 93 |
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Aaron Abigail Accolti action alchemical Alchemist Alworth Antonio attitudes audience Barabas Barabas's Bartholomew Bartholomew Fair Bassanio Ben Jonson Boccaccio Celia Cesario Chapman characters comic Cynthia daughter Decameron disguise divine dramatic Elizabethan Eudora Fair father Ganymede Giletta's gulls heroine Houshold Government human humor I.iii III.ii ingegno ironic irony IV.i Jew of Malta joke Jonson Jonsonian Lady Littlewit London Lovell Lovewit Lycus Lycus's Lysander Lysander's magic Mammon Marlowe Marrall marriage Massinger Massinger's master Merchant of Venice moral Mosca natural Neifile's occultism Orsino Overdo Overreach passion patriarchal play play's plot poet Portia Prince problem comedies puppet Puritan Quarlous Renaissance revenge rhetoric rogues role romantic comedy Rosalind Ruffo satiric scene Selimus sense servants Shakespeare Shylock Sir Giles social society stage Subtle suggests Tamburlaine Tapwell Tharsalio thee theme tion Titus Andronicus Titus's traditional true Twelfth Night V.iii villainy violence Virginia Volpone Volpone's Welborne Widow's witty