Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific CriticismClarendon Press, 1893 - 443 ページ |
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... emotional an atmosphere as the study of beauty , the student must use effort to separate the beauty of an object , which is a thing of art and perfectly analysable , from his personal interest in it , which is as dis- tinctly external ...
... emotional an atmosphere as the study of beauty , the student must use effort to separate the beauty of an object , which is a thing of art and perfectly analysable , from his personal interest in it , which is as dis- tinctly external ...
70 ページ
... Emotional effects : in- crease of tragic passion ; But it is of course passion and emotional interest which are mainly affected by the union of light and serious : these we shall appreciate chiefly in connection with the Trial Scene ...
... Emotional effects : in- crease of tragic passion ; But it is of course passion and emotional interest which are mainly affected by the union of light and serious : these we shall appreciate chiefly in connection with the Trial Scene ...
94 ページ
... emotional naturally restraints : either his own emotions , woven by generations of attending crime . hereditary transmission into the very framework of his nature , which make his hand tremble in the act of sinning ; or the emotions his ...
... emotional naturally restraints : either his own emotions , woven by generations of attending crime . hereditary transmission into the very framework of his nature , which make his hand tremble in the act of sinning ; or the emotions his ...
95 ページ
... emotional or rational , which sway us between right and wrong ; this instinct of conscience is formally disavowed by ... emotion is wanting , there is , on But he re- the other hand , the full intellectual warmth of an artist's gards ...
... emotional or rational , which sway us between right and wrong ; this instinct of conscience is formally disavowed by ... emotion is wanting , there is , on But he re- the other hand , the full intellectual warmth of an artist's gards ...
119 ページ
... distinct stages the crescendo in music as distinguished from the fortissimo . Such a fall is not a mere passage through the air but a suc- cession of stages . CHAP . V. ible emotion of suspense . If we FROM THE SIDE OF PLOT . 119.
... distinct stages the crescendo in music as distinguished from the fortissimo . Such a fall is not a mere passage through the air but a suc- cession of stages . CHAP . V. ible emotion of suspense . If we FROM THE SIDE OF PLOT . 119.
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多く使われている語句
analysis Antonio appears Ariel Armado artistic Banquo Bassanio becomes blank verse Brutus Brutus's Caliban Caskets Story Cassio central idea centre CHAP character climax complete conception crime Desdemona Destiny distinct dramatic dramatist effect elements emotional enchantment Enveloping Action euphuism evil fall fate feels fool force give Goneril Holofernes human humour Iago incidents inductive criticism interest intrigue Irony Jaques Jessica Julius Cæsar justice king Lady Macbeth Lear literary literature Love's Labour's Lost Macduff madness Main Action main plot ment Merchant of Venice mind modern moral morbid humour Motion Motive movement murder nature Nemesis oracle Oracular Othello passion personages play Portia present Professional humour Prospero recognised retribution Richard Richard III rise Rosalind scene sense Shakespeare Shylock side spirit stage Sub-Action suggests supernatural sympathy Tempest thee things thou thought tion tone tragedy train treatment turning-point Underplot unity Venice verse villainy whole words
人気のある引用
305 ページ - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these...
176 ページ - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
214 ページ - No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things, — What they are, yet I know not ; but they shall be The terrors of the earth.
241 ページ - To be suspected; framed to make women false. The Moor is of a free and open nature, That thinks men honest, that but seem to be so; And will as tenderly be led by the nose, As asses are. I have't; — it is engendered. — Hell and night Must bring this monstrous birth to the world's light.
175 ページ - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him : but, as he was ambitious, I slew him.
60 ページ - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
278 ページ - O, it is monstrous ! monstrous ! Methought the billows spoke, and told me of it ; The winds did sing it to me ; and the thunder, That deep and dreadful organ-pipe, pronounced The name of Prosper ; it did bass my trespass. Therefore my son i' the ooze is bedded ; and I'll seek him deeper than e'er plummet sounded, And with him there lie mudded.
232 ページ - He hath a daily beauty in his life, That makes me ugly ; and, besides, the Moor May unfold me to him ; there stand I in much peril : No, he must die : — But so, I hear him coming.
163 ページ - Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal, For it must seem their guilt.
251 ページ - em. Cal. I must eat my dinner. This island's mine, by Sycorax my mother, Which thou tak'st from me. When thou earnest first, Thou strok'dst me, and mad'st much of me ; wouldst give me Water with berries in't ; and teach me how To name the bigger light, and how the less, That burn by day and night : and then I lov'd thee, And show'd thee all the qualities o...