Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific CriticismClarendon Press, 1893 - 443 ページ |
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4 ページ
... eyes ; while , so far from liking Shake- speare the less , he appreciates all the more keenly Shake- speare's method of treatment from his familiarity with that which is its antithesis . It must be conceded at once that both these kinds ...
... eyes ; while , so far from liking Shake- speare the less , he appreciates all the more keenly Shake- speare's method of treatment from his familiarity with that which is its antithesis . It must be conceded at once that both these kinds ...
10 ページ
... many defects ; as he has certainly written better so he has perhaps written worse than any other . ' Dr. John- son sets out by describing Shakespeare as ' having begun spearean 6 mendation in his eyes . But he goes on to IO INTRODUCTION .
... many defects ; as he has certainly written better so he has perhaps written worse than any other . ' Dr. John- son sets out by describing Shakespeare as ' having begun spearean 6 mendation in his eyes . But he goes on to IO INTRODUCTION .
11 ページ
... eyes . But he goes on to point out the inferiority of Shakespeare's Tragedy to his Comedy , the former the outcome of skill rather than instinct , with little felicity and always leaving something wanting ; how he seems without moral ...
... eyes . But he goes on to point out the inferiority of Shakespeare's Tragedy to his Comedy , the former the outcome of skill rather than instinct , with little felicity and always leaving something wanting ; how he seems without moral ...
20 ページ
... eyes of critics came to be turned more to the idea of literary beauty itself , as the end for which the laws of literary composition were merely Addison is the great name connected with this further transitional stage . We find Addison ...
... eyes of critics came to be turned more to the idea of literary beauty itself , as the end for which the laws of literary composition were merely Addison is the great name connected with this further transitional stage . We find Addison ...
44 ページ
... eye of a dramatic artist to catch the points in which they lend themselves to dramatic effect ; the next will show how Shakespeare handles the stories in telling them , increasing their dramatic force by the very process of working them ...
... eye of a dramatic artist to catch the points in which they lend themselves to dramatic effect ; the next will show how Shakespeare handles the stories in telling them , increasing their dramatic force by the very process of working them ...
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多く使われている語句
analysis Antonio appears Ariel Armado artistic Banquo Bassanio becomes blank verse Brutus Brutus's Caliban Caskets Story Cassio central idea centre CHAP character climax complete conception crime Desdemona Destiny distinct dramatic dramatist effect elements emotional enchantment Enveloping Action euphuism evil fall fate feels fool force give Goneril Holofernes human humour Iago incidents inductive criticism interest intrigue Irony Jaques Jessica Julius Cæsar justice king Lady Macbeth Lear literary literature Love's Labour's Lost Macduff madness Main Action main plot ment Merchant of Venice mind modern moral morbid humour Motion Motive movement murder nature Nemesis oracle Oracular Othello passion personages play Portia present Professional humour Prospero recognised retribution Richard Richard III rise Rosalind scene sense Shakespeare Shylock side spirit stage Sub-Action suggests supernatural sympathy Tempest thee things thou thought tion tone tragedy train treatment turning-point Underplot unity Venice verse villainy whole words
人気のある引用
305 ページ - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these...
176 ページ - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
214 ページ - No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things, — What they are, yet I know not ; but they shall be The terrors of the earth.
241 ページ - To be suspected; framed to make women false. The Moor is of a free and open nature, That thinks men honest, that but seem to be so; And will as tenderly be led by the nose, As asses are. I have't; — it is engendered. — Hell and night Must bring this monstrous birth to the world's light.
175 ページ - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him : but, as he was ambitious, I slew him.
60 ページ - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
278 ページ - O, it is monstrous ! monstrous ! Methought the billows spoke, and told me of it ; The winds did sing it to me ; and the thunder, That deep and dreadful organ-pipe, pronounced The name of Prosper ; it did bass my trespass. Therefore my son i' the ooze is bedded ; and I'll seek him deeper than e'er plummet sounded, And with him there lie mudded.
232 ページ - He hath a daily beauty in his life, That makes me ugly ; and, besides, the Moor May unfold me to him ; there stand I in much peril : No, he must die : — But so, I hear him coming.
163 ページ - Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal, For it must seem their guilt.
251 ページ - em. Cal. I must eat my dinner. This island's mine, by Sycorax my mother, Which thou tak'st from me. When thou earnest first, Thou strok'dst me, and mad'st much of me ; wouldst give me Water with berries in't ; and teach me how To name the bigger light, and how the less, That burn by day and night : and then I lov'd thee, And show'd thee all the qualities o...