Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific CriticismClarendon Press, 1893 - 443 ページ |
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xiii ページ
... INTRIGUE . A Study in Character and Plot XII . HOW THE TEMPEST ' IS A DRAMA OF ENCHANTMENT . A Study in Dramatic Colouring . XIII . HOW THE ENCHANTMENT OF ' THE TEMPEST ' PRESENTS PAGE 225 246 PERSONAL PROVIDENCE . A Study in Central ...
... INTRIGUE . A Study in Character and Plot XII . HOW THE TEMPEST ' IS A DRAMA OF ENCHANTMENT . A Study in Dramatic Colouring . XIII . HOW THE ENCHANTMENT OF ' THE TEMPEST ' PRESENTS PAGE 225 246 PERSONAL PROVIDENCE . A Study in Central ...
102 ページ
... intrigue : very improbability of some of the more difficult scenes in inspiration which he is an actor . Intrigue in general is a thing of calculation . reason , and its probabilities can be readily analysed ; but the rather than genius ...
... intrigue : very improbability of some of the more difficult scenes in inspiration which he is an actor . Intrigue in general is a thing of calculation . reason , and its probabilities can be readily analysed ; but the rather than genius ...
108 ページ
... on the King are associated the Queen and and her bindred . her kindred . They have been assenting parties to the inst Clarence ( however little they may have been brought by the intrigues of Gloster ) . This 108 KING RICHARD III :
... on the King are associated the Queen and and her bindred . her kindred . They have been assenting parties to the inst Clarence ( however little they may have been brought by the intrigues of Gloster ) . This 108 KING RICHARD III :
109 ページ
... intrigues of Gloster ) . This we must CHAP . V. understand from the introduction of Clarence's children , who serve no purpose except to taunt the Queen in her bereavement : Boy . Good aunt , you wept not for our father's death ; How ...
... intrigues of Gloster ) . This we must CHAP . V. understand from the introduction of Clarence's children , who serve no purpose except to taunt the Queen in her bereavement : Boy . Good aunt , you wept not for our father's death ; How ...
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... intrigues of Goneril of Goneril and Regan , intrigues ending in their common ruin . This constitutes a third tragedy which , it will be seen , is as neces- sary to the solution of our problem as the other two . To place power in the ...
... intrigues of Goneril of Goneril and Regan , intrigues ending in their common ruin . This constitutes a third tragedy which , it will be seen , is as neces- sary to the solution of our problem as the other two . To place power in the ...
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多く使われている語句
analysis Antonio appears Ariel Armado artistic Banquo Bassanio becomes blank verse Brutus Brutus's Caliban Caskets Story Cassio central idea centre CHAP character climax complete conception crime Desdemona Destiny distinct dramatic dramatist effect elements emotional enchantment Enveloping Action euphuism evil fall fate feels fool force give Goneril Holofernes human humour Iago incidents inductive criticism interest intrigue Irony Jaques Jessica Julius Cæsar justice king Lady Macbeth Lear literary literature Love's Labour's Lost Macduff madness Main Action main plot ment Merchant of Venice mind modern moral morbid humour Motion Motive movement murder nature Nemesis oracle Oracular Othello passion personages play Portia present Professional humour Prospero recognised retribution Richard Richard III rise Rosalind scene sense Shakespeare Shylock side spirit stage Sub-Action suggests supernatural sympathy Tempest thee things thou thought tion tone tragedy train treatment turning-point Underplot unity Venice verse villainy whole words
人気のある引用
305 ページ - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these...
176 ページ - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
214 ページ - No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things, — What they are, yet I know not ; but they shall be The terrors of the earth.
241 ページ - To be suspected; framed to make women false. The Moor is of a free and open nature, That thinks men honest, that but seem to be so; And will as tenderly be led by the nose, As asses are. I have't; — it is engendered. — Hell and night Must bring this monstrous birth to the world's light.
175 ページ - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him : but, as he was ambitious, I slew him.
60 ページ - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
278 ページ - O, it is monstrous ! monstrous ! Methought the billows spoke, and told me of it ; The winds did sing it to me ; and the thunder, That deep and dreadful organ-pipe, pronounced The name of Prosper ; it did bass my trespass. Therefore my son i' the ooze is bedded ; and I'll seek him deeper than e'er plummet sounded, And with him there lie mudded.
232 ページ - He hath a daily beauty in his life, That makes me ugly ; and, besides, the Moor May unfold me to him ; there stand I in much peril : No, he must die : — But so, I hear him coming.
163 ページ - Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal, For it must seem their guilt.
251 ページ - em. Cal. I must eat my dinner. This island's mine, by Sycorax my mother, Which thou tak'st from me. When thou earnest first, Thou strok'dst me, and mad'st much of me ; wouldst give me Water with berries in't ; and teach me how To name the bigger light, and how the less, That burn by day and night : and then I lov'd thee, And show'd thee all the qualities o...