The Sixth Reader: Consisting of Extracts in Prose and Verse, with Biographical and Critical Notices of the Authors : for the Use of Advanced Classes in Public and Private SchoolsBrewer and Tileston, 1866 - 436 ページ |
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iv ページ
... true , are now commended by the gloss of novelty , but will not be likely to wear so well as those on which time has set its lasting seal of approval . Several pieces will also be found here which were first made generally known in ...
... true , are now commended by the gloss of novelty , but will not be likely to wear so well as those on which time has set its lasting seal of approval . Several pieces will also be found here which were first made generally known in ...
v ページ
... True Honesty 63. Voices. PREFACE . CONTENTS . PART I ........ Method of Analysis ..... Different Kinds or Classes of Emotion Vocal Expression ...... Elements of Vocal Expression VOCAL EXPRESSION . Force .. Time The Slides . Pitch Volume ...
... True Honesty 63. Voices. PREFACE . CONTENTS . PART I ........ Method of Analysis ..... Different Kinds or Classes of Emotion Vocal Expression ...... Elements of Vocal Expression VOCAL EXPRESSION . Force .. Time The Slides . Pitch Volume ...
vi ページ
... True Honesty 63. Voices of the Dead . 65. Incentives to Duty .. 70. On the Pleasure of Acquiring Knowledge .. 73. The Bible .... 75. The Introduction of Christianity into Europe . 81. The Roman Empire a Preparation for Christianity . 82 ...
... True Honesty 63. Voices of the Dead . 65. Incentives to Duty .. 70. On the Pleasure of Acquiring Knowledge .. 73. The Bible .... 75. The Introduction of Christianity into Europe . 81. The Roman Empire a Preparation for Christianity . 82 ...
xx ページ
... true expression of thoughts and feelings in reading depends on using the right lights and shades of the voice . That a monot- onous tone gives no more expression to the ear than the one monotonous color does to the eye . All our lights ...
... true expression of thoughts and feelings in reading depends on using the right lights and shades of the voice . That a monot- onous tone gives no more expression to the ear than the one monotonous color does to the eye . All our lights ...
xxii ページ
... ambition . The charge is true , Caesar was and I GLORY in its truth . Who ever achieved anything GREAT in letters , arts , or arms , who was NOT ambitious ? not more ambitious than Cicero . It was but in xxii INTRODUCTORY TREATISE . Force.
... ambition . The charge is true , Caesar was and I GLORY in its truth . Who ever achieved anything GREAT in letters , arts , or arms , who was NOT ambitious ? not more ambitious than Cicero . It was but in xxii INTRODUCTORY TREATISE . Force.
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abrupt stress admirable arms battle beauty blessed bold born breath called cataract character circumflex clouds dark dead death deep earth elocution eloquence emphatic England example expression falling slide Farne Islands feeling fire flowers force forever gentle give glorious glory grace Grace Darling grave Greece hand Harvard College heard heart heaven Helvellyn hill honor hope hour Hubert human ideas irreligion Ivanhoe joyous king land liberty light live Longstone look Lord loud Massachusetts median stress mind mother mountain natural never night noble o'er pauses phatic pieces pitch poems poet poetry pure quality resonant consonants Rip Van Winkle rising rock scene Scotland sentiment shore SIR WALTER SCOTT smooth stress soul sound spirit sweet syllables tell thee thine thou thought tion tone truth unemotional unemphatic voice waves words Yale College
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lxv ページ - How sweet the moonlight sleeps upon this bank ! Here will we sit and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
lxiv ページ - What thou art, we know not ; What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody.
364 ページ - Thy waters wasted them while they were free, And many a tyrant since; their shores obey The stranger, slave, or savage; their decay Has dried up realms to deserts: — not so thou, Unchangeable save to thy wild waves' play — Time writes no wrinkle on thine azure brow — Such as creation's dawn beheld thou rollest now.
406 ページ - The breezy call of incense-breathing morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed.
418 ページ - But yesterday the word of Caesar might Have stood against the world ; now lies he there, And none so poor to do him reverence.
229 ページ - This many summers in a sea of glory, But far beyond my depth: my high-blown pride At length broke under me and now has left me, Weary and old with service, to the mercy Of a rude stream, that must for ever hide me.
418 ページ - Ingratitude, more strong than traitors' arms, Quite vanquished him. Then burst his mighty heart, And in his mantle muffling up his face, Even at the base of Pompey's statue, (Which all the while ran blood), great Caesar fell.
286 ページ - Jura, whose capt heights appear Precipitously steep; and drawing near, There breathes a living fragrance from the shore, Of flowers yet fresh with childhood ; on the ear Drops the light drip of the suspended oar, Or chirps the grasshopper one good-night carol more...
406 ページ - For them no more the blazing hearth shall burn Or busy housewife ply her evening care, No children run to lisp their sire's return Or climb his knees the envied kiss to share.
231 ページ - Cromwell, I did not think to shed a tear In all my miseries; but thou hast forced me, Out of thy honest truth, to play the woman. Let's dry our eyes: and thus far hear me, Cromwell; And, when I am forgotten, as I shall be, And sleep in dull cold marble, where no mention Of me more must be heard of, say, I taught thee...