The dramatic (poetical) works of William Shakspeare; illustr., embracing a life of the poet and notes, 第 2 巻 |
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... SCENE . Athens , and a Wood not far from it . MIDSUMMER - NIGHT'S DREAM . SCENE I. Athens . ACT.
... SCENE . Athens , and a Wood not far from it . MIDSUMMER - NIGHT'S DREAM . SCENE I. Athens . ACT.
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William Shakespeare. MIDSUMMER - NIGHT'S DREAM . SCENE I. Athens . ACT I. A Room in the Palace of Theseus . Enter THESEUS , HIPPOLYTA , PHILOSTRATE , and Attendants . Theseus . Now , fair Hippolyta , our nuptial hour Draws on apace ...
William Shakespeare. MIDSUMMER - NIGHT'S DREAM . SCENE I. Athens . ACT I. A Room in the Palace of Theseus . Enter THESEUS , HIPPOLYTA , PHILOSTRATE , and Attendants . Theseus . Now , fair Hippolyta , our nuptial hour Draws on apace ...
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... SCENE II . The same . A Room in a Cottage . Enter SNUG , BOTTOM , FLUTE , SNOUT , QUINCE , and STARVELING . Quin . Is all our company here ? Bot . You were best to call them generally , man by man , according to the scrip . Quin . Here ...
... SCENE II . The same . A Room in a Cottage . Enter SNUG , BOTTOM , FLUTE , SNOUT , QUINCE , and STARVELING . Quin . Is all our company here ? Bot . You were best to call them generally , man by man , according to the scrip . Quin . Here ...
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... SCENE I. A Wood near Athens . Enter a Fairy at one door , and PUCK at another . Puck . How now , spirit ! whither wander you ? Fai . Over hill , over dale , Thorough bush , thorough briar , 1 To meet whether bowstrings hold or are cut ...
... SCENE I. A Wood near Athens . Enter a Fairy at one door , and PUCK at another . Puck . How now , spirit ! whither wander you ? Fai . Over hill , over dale , Thorough bush , thorough briar , 1 To meet whether bowstrings hold or are cut ...
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William Shakespeare. SCENE II . Enter OBERON , at one door , with his Train , and TITANIA , at another , with hers . Obe . Ill met by moon - light , proud Titania . Tita . What , jealous Oberon ? Fairy , skip hence ; I have forsworn his ...
William Shakespeare. SCENE II . Enter OBERON , at one door , with his Train , and TITANIA , at another , with hers . Obe . Ill met by moon - light , proud Titania . Tita . What , jealous Oberon ? Fairy , skip hence ; I have forsworn his ...
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answer appears Attendants Bass bear better Biron blood Boyet bring comes Cost Count court daughter dear death desire doth Duke Enter Exeunt Exit eyes face fair faith father fear follow fool fortune friends gentle give gone grace hand hast hath head hear heart Heaven hold honor hope I'll Italy Kath keep kind King lady leave live look lord lovers madam marry master means mind mistress Moth nature never night play poor pray present ring Rosalind SCENE sense Servant serve Shakspeare speak stand stay sweet tell thank thee thing thou thought tongue Touch true turn unto wife woman young youth
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289 ページ - With spectacles on nose, and pouch on side ; His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound : last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste, sans everything.
20 ページ - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
273 ページ - The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade me what I am.
165 ページ - When shepherds pipe on oaten straws And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks The cuckoo then, on every tree, Mocks married men; for thus sings he, Cuckoo; Cuckoo, cuckoo: O word of fear, Unpleasing to a married ear!
175 ページ - If to do, were as easy as to know what were good to do, chapels had been churches, and poor men's cottages princes' palaces. It is a good divine that follows his own instructions. I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.