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Addiſon afterwards allowed appear attention beauties becauſe called character common confidence copies criticiſm delight deſire diſcovered Dryden early eaſily edition effect elegance employed Engliſh epitaph excellence expected fame father fault favour firſt formed friendſhip gave give given hands himſelf Homer honour hope hundred Iliad improved kind King knowledge known language laſt learning leſs Letters lines living Lord mean ment mind moſt muſt nature never notes numbers once opinion original performances perhaps perſons pleaſed pleaſure poem poet poetry Pope Pope's praiſe preſent printed publick publiſhed readers reaſon received regard remarks ſaid ſame ſays ſeems ſhould ſome ſometimes ſtudy ſubject ſuch ſuppoſed tell theſe things thoſe thought tion told tranſlation true uſed verſes verſion virtue volume whoſe wiſh write written wrote
345 ページ - As Gay was the favourite of our author, this epitaph was probably written with an uncommon degree of attention ; yet it is not more successfully executed than the rest, for it will not always happen that the success of a poet is proportionate to his labour.
256 ページ - Dryden it must be said, that if he has brighter paragraphs, he has not better poems.
246 ページ - Of composition there are different methods. Some employ at once memory and invention, and, with little intermediate use of the pen, form and polish large masses by continued meditation, and write their productions only when, in their own opinion, they have completed them.
76 ページ - O'er Heaven's clear azure spreads her sacred light, When not a breath disturbs the deep serene, And not a cloud o'ercasts the solemn scene ; Around her throne the vivid planets roll, And stars unnumber'd gild the glowing pole, O'er the dark trees a yellower verdure shed, And tip with silver...
315 ページ - To circumscribe poetry by a definition will only shew the narrowness of the definer, though a definition which shall exclude Pope will not easily be made. Let us look round upon the present time, and back upon the past; let us...
255 ページ - The style of Dryden is capricious and varied; that of Pope is cautious and uniform. Dryden obeys the motions of his own mind; Pope constrains his mind to his own rules of composition. Dryden is sometimes vehement and rapid; Pope is always smooth, uniform, and gentle.
252 ページ - ... none to himself. He examined lines and words with minute and punctilious observation, and retouched every part with indefatigable diligence, till he had left nothing to be forgiven.
85 ページ - ... me to live agreeably in the town, or contentedly in the country, which is really all the difference I set between an easy fortune and a small one.