The Complete Works of William Shakespeare, 第 2 巻Jefferson Press, 1907 |
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xiii ページ
... loosely numbered him also among his supporters . The bestowal on the dramatis persona of the nomen- clature of well - known living men extends beyond the circle of the leading characters . Moth , the pretty [ xiii ] INTRODUCTION.
... loosely numbered him also among his supporters . The bestowal on the dramatis persona of the nomen- clature of well - known living men extends beyond the circle of the leading characters . Moth , the pretty [ xiii ] INTRODUCTION.
xiv ページ
William Shakespeare. circle of the leading characters . Moth , the pretty in- genious page , was directly called after a French ambas- sador who was long popular in London ; and , though he left England in 1583 , he lived in the memory ...
William Shakespeare. circle of the leading characters . Moth , the pretty in- genious page , was directly called after a French ambas- sador who was long popular in London ; and , though he left England in 1583 , he lived in the memory ...
xx ページ
... Moth , is as filially related to Sir Tophas's page- boy " Epiton . " The dialogues between Sir Tophas and Epiton in Lyly's " Endimion " practically reappear in the dialogues of Armado and Moth in Shakespeare's " Love's Labour's Lost ...
... Moth , is as filially related to Sir Tophas's page- boy " Epiton . " The dialogues between Sir Tophas and Epiton in Lyly's " Endimion " practically reappear in the dialogues of Armado and Moth in Shakespeare's " Love's Labour's Lost ...
xxvi ページ
... Moth and the clown Costard wax merry over the culture of their masters . But it is at the misuse , not at the true use , of culture and learning that Shakespeare tilts ; it is the irrational exaltation of literature and of artificial ...
... Moth and the clown Costard wax merry over the culture of their masters . But it is at the misuse , not at the true use , of culture and learning that Shakespeare tilts ; it is the irrational exaltation of literature and of artificial ...
15 ページ
... MOTH his Page [ Exeunt . ARM . Boy , what sign is it when a man of great spirit grows melancholy ? MOTH . A great sign , sir , that he will look sad . ARM . Why , sadness is one and the self - same thing , dear imp . MOTH . No , no ; O ...
... MOTH his Page [ Exeunt . ARM . Boy , what sign is it when a man of great spirit grows melancholy ? MOTH . A great sign , sir , that he will look sad . ARM . Why , sadness is one and the self - same thing , dear imp . MOTH . No , no ; O ...
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多く使われている語句
Antonio Armado BASS Bassanio Ben Jonson BIRON blood bond BOYET casket Christian comedy COST Costard court doth dramatic dramatist ducats DUKE DULL Dumain Elizabethan Enter Exeunt Exit eyes fair fair lady father flesh Folio fool forsworn gentle give grace Gratiano hast hath hear heart heaven Hector Holofernes honour humour infra Jaquenetta Jessica Jew's KATH KING king of Navarre l'envoy lady LAUN Launcelot letter light live LONG Longaville look lord Lorenzo Love's Labour's Lost Lyly's madam marry master means Merchant of Venice merry Monarcho MOTH NATH Navarre Nerissa never oath play plot Pompey Portia praise princess quarto reading ring Rosaline SALAN SALAR SCENE Shakespeare Shylock Sonnet soul speak story supra swear sweet tell thou Three thousand ducats tongue true wench word Worthies
人気のある引用
125 ページ - Tu-whit, tu-who - a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow, And coughing drowns the parson's saw...
93 ページ - It blesseth him that gives and him that takes. Tis mightiest in the mightiest; it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
22 ページ - Shylock, we would have moneys:' you say so; You, that did void your rheum upon my beard, And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say, ' Hath a dog money ? Is it possible A cur can lend three thousand ducats...
109 ページ - How sweet the moonlight sleeps upon this bank ! Here will we sit, and let the sounds of music Creep in our ears ; soft stillness, and the night, Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
100 ページ - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
110 ページ - Therefore, the poet Did feign that Orpheus drew trees, stones, and floods Since nought so stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted.
26 ページ - Biron they call him ; but a merrier man. Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit : For every object that the one doth catch, The other turns to a mirth-moving jest ; Which his fair tongue (conceit's expositor) Delivers in such apt and gracious words, That aged ears play truant at his tales, And younger hearings are quite ravished ; So sweet and voluble is his discourse.
63 ページ - Tell me where is fancy bred, Or in the heart or in the head? How begot, how nourished? ® Reply, reply. It is engendered in the eyes, With gazing fed; and fancy dies In the cradle where it lies. Let us all ring fancy's knell. 70 I'll begin it — Ding, dong, bell.
57 ページ - Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge ? If we are like you in the rest, we will resemble you in that.
125 ページ - When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men ; for thus sings he, Cuckoo ; Cuckoo, cuckoo : O word of fear, Uupleasing to a married ear ! WDTTER.