The Romantic Ideology: A Critical InvestigationUniversity of Chicago Press, 1985/02/15 - 172 ページ Claiming that the scholarship and criticism of Romanticism and its works have for too long been dominated by a Romantic ideology—by an uncritical absorption in Romanticism's own self-representations—Jerome J. McGann presents a new, critical view of the subject that calls for a radically revisionary reading of Romanticism. In the course of his study, McGann analyzes both the predominant theories of Romanticism (those deriving from Coleridge, Hegel, and Heine) and the products of its major English practitioners. Words worth, Coleridge, Shelley, and Byron are considered in greatest depth, but the entire movement is subjected to a searching critique. Arguing that poetry is produced and reproduced within concrete historical contexts and that criticism must take these contexts into account, McGann shows how the ideologies embodied in Romantic poetry and theory have shaped and distorted contemporary critical activities. |
この書籍内から
検索結果1-5 / 72
ページ
... Romanticism . I. Title . PR590.M34 1983 821'.7'09145 82-17494 ISBN 0-226-55850-9 ( paper ) The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences - Permanence of ...
... Romanticism . I. Title . PR590.M34 1983 821'.7'09145 82-17494 ISBN 0-226-55850-9 ( paper ) The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences - Permanence of ...
ページ
このページの内容は閲覧が制限されています.
このページの内容は閲覧が制限されています.
ページ
... ROMANTICISM AND ITS CRITICAL REPRESENTATIONS 1. Distinguishing Romanticism 17 2. Some Current Problems in Literary Criticism 21 3. Two Normative Theories of Romanticism and Heine's Critique 31 4. The Line of Coleridge and the Line of ...
... ROMANTICISM AND ITS CRITICAL REPRESENTATIONS 1. Distinguishing Romanticism 17 2. Some Current Problems in Literary Criticism 21 3. Two Normative Theories of Romanticism and Heine's Critique 31 4. The Line of Coleridge and the Line of ...
ページ
このページの内容は閲覧が制限されています.
このページの内容は閲覧が制限されています.
1 ページ
このページの内容は閲覧が制限されています.
このページの内容は閲覧が制限されています.
他の版 - すべて表示
多く使われている語句
Abrams abstract aesthetic analysis appears artistic Austen ballad Blake Byron called Canto Childe Harold's Pilgrimage cism Coleridge Coleridge's commitments concepts contradictions creative critique cultural despair dialectical displacement doctrine dominant Don Juan emotional English fact false consciousness forms German Ideology Hegel Hegelian Heine Heine's criticism historical human ideal ideas Ideological State Apparatuses illusions imagination important Jane Austen Keats Keats's Kubla Khan later Romantics literary criticism literature Lovejoy Marx Marxist Mellor's method mind non-Romantic observe past Peele Castle philosophers poem's poet poetic polemic political present produced Prometheus Unbound reader relation Romantic Art Romantic Ideology Romantic Irony Romantic Period Romantic poems Romantic poetry Romantic School Ruined Cottage scholarly self-consciousness sense Shelley Shelley's social specific spiritual structures Swingle Swingle's symbolic symbolic art things thou thought Tintern Abbey tion tradition transcend truth verse vision Wellek Wordsworth