Wodan, Wuotan, Woden; see Odin.

Wooden horse, the, 305, 329.

ished about 424 B.C.

Ziu, or Tyr, 369.

Zodiac, Com. §§ 139-143 (Interpret.).

World-egg, 37.

Worms, 401-403.

Zulus, mental state of the, 21.

Cerco'pes: grotesque and gnome-like
rascals, two of whom, while Hercu-
les was sleeping, made off with his
weapons; but, caught by him, were
strapped knees-upward to either end
of a yoke, and so borne away by the
hero. Their drollery, however, re-
gained them their liberty. Some of
them, having deceived Jupiter, were
changed to apes. They were the sub-
ject of a comic poem by Homer, and
of numerous grotesque representations
in Greek literature and sculpture.
Hippot'a-des: Æolus II, son of Hip'po-
tes. Identified by Homer (Od. x, 2)
and by Ovid (Met. xiv, 224) with
olus III, king of the Winds. Mil-
ton, Lycid. 96. See Com. § 113 (5).
Ja'nus; see p. 512. As god of good be-
ginnings, which ensure good endings,
Janus is a promoter of civilization. Gel-
lius (v, 12); Ovid (Fasti 1, 179). Ac-
cording to Macrobius (S. 1, 9-15) he
is Consivius the Sower. Compare
Dryden, Epist. to Congreve 7.
Mer'o-pe; see p. 514. Of Arcadia,
daughter of King Cypselus, of the
race of Callisto. Her husband, Cres-
phontes, the Heraclid, king of Mes-

senia, had been slain with two of his
sons by rebellious nobles, and one
Polyphontes, leader of the revolt,
reigned in his stead. But Æp'y-tus,
the third son of Merope, who had
been concealed by her in Arcadia,
returned thence, in due season, unbe-
known to her and in disguise, to wreak
vengeance on the murderers of his
sire. Pretending to have slain Æpy-
tus, the stranger won the favor of
Polyphontes, but came near losing his
life at his mother's hands. A recog-
nition being happily effected, Æpytus,
aided by his mother, put Polyphontes
to death, and took possession of the
kingdom. Sources: Hygin. (Fab. 184);
Apollod. (ii, 8); Pausan. (ii, 18; iv, 3,
etc.); Aristotle (Poetics xiv, 9 on the
lost Cresphontes of Euripides). Poems:
Dramatized by Maffei (1713), Voltaire
(1743), Alfieri (1783), and by others;
but recently (1857) by Matthew Arnold,
whose Merope is at once a masterpiece
of classical invention and of poetic exe-
cution.

Pan'o-pe; see p. 518. Also, one of the
Nereïds (Iliad xviii, 45). See Milton,
Lycid. 99.

Addison, Joseph, 1672-1719. Transl.
Metamorphoses, Com. § 12; Com.
$175, Spectator, 343.

Akenside, Mark, 1721-1770. Com. §§ 43,
115, Pleasures of Imagination; § 43,
Ode on Lyric Poetry; Ode to Hesper;
§ 51, Ode to Sleep.
Albani, Francesco, 1578-1660 (paint.).
Com. § 41, Mercury and Argus; § 89,
Diana and her Nymphs, Acteon (two
pictures, Dresden); § 126, Galatea and
Cupids.

Aldrich, T. B., 1836—. Com. § 167,
Pillared Arch and Sculptured Tower.
Anderson, R. B. Com. §§ 177-184, Norse
Mythology; Horn's Scandinavian Lit-
erature; Younger Edda.
Angelo, Michael (Buonarotti), 1474-1563
(sculpt. and paint.). Com. § 38, Apollo;
§ 43, The Fates; § 46, The Drunken
Bacchus; § 51, A Fury; § 93, Dying
Adonis; § 117, Mask of Satyr; § 174,
Sibyls.

Armstrong, John, 1709-1779. The Art
of Preserving Health, Com. §§ 38, 52-
54, 68, 133-137.
Arnold, Sir E., 1832-

Com. § 15,
Indian Idylls, Light of Asia; § 59,
Hymn of the Priestess of Diana; § 96,
transl. Musæus; § 167, Iphigenia.
Arnold, M., 1822-1888. Quotation from
The New Philomela, 258, 259; from

Cupid's Revenge; §§ 152-157, Maid's
Tragedy.

Beddoes, Thomas Lovell, 1803-1849.
Com. § 97, Pygmalion; § 105, Stygian
Naiades.

Bound; § 94, Psyche; § 117, Flush, or
Faunus; 126, transl. Theocritus ;
§§ 152-157, paraphrases on Nonnus
and Hesiod; § 168, paraphrase on
Homer.

Bennett, W. C., 1820- Com. § 97,
Pygmalion.

Bernini, Lorenzo, 1598-1680 (sculpt.).
Com. §§ 50, 105, Pluto and Proserpine;
§ 85, Apollo and Daphne.
Beyschlag, J. R., 1838—— (paint.). Com.
§ 94, Psyche; § 107, Orpheus and Eu-
rydice.

Birch, R. Guide to Egyptian Rooms,
Com. § 15.

Blackie, J. S., 1809-. Com. § 126,
Galatea; §§ 152-157, Ariadne, The
Naming of Athens; § 167, Judgment
of Paris.

Blake, William, 1757-1827. See Intro-
duction, To the Muses.
Bland (and Merivale). Transl. Greek
Anthology, Com. § II.
Bodenhausen, C. von (paint.). Com.
§ 96, Hero and Leander.

Bodmer, J. J. Referred to, 33; publ.
Nibelungenlied, Com. § 185.
Bologna, Giovanni da, 1524-1608
(sculpt.). Com. § 41, Flying Mercury;
§§ 139-143, Hercules and Centaur.
Bordone, Paris, 1500 (?)-1570 (paint.).

Apollo, Marsyas, and Midas (Dresden),
136 and Com. § 83 a; 104.
Bouguereau, A. W., 1825— (paint.).
Com. § 43, Cupid and a Butterfly; § 46,
Youth of Bacchus; § 117, Nymphs
and Satyr.

Bowring, E. A. Com. § 31, transls. of
Schiller; 43, Goethe's Ganymede;
§ 62, Schiller's Semele; § 125, Schiller's
Cranes of Ibycus; § 138, Schiller's
Pegasus in Harness.

Brandi, Giacinto, 1623-1691 (paint.).
Dædalus fastening Wings on Icarus,
§ 150 (Dresden).

Browning, E. B., 1809-1861. Reference

to, 151; extract from The Dead Pan,

201 ; Com. §§ 22-25, Prometheus

his Balaustion's Adventure, 133-136;
Com. § 80, Apollo and the Fates;
§§ 81, 139-143, Balaustion's Adven-
ture; 107, Eurydice and Orpheus;
§ 116, Pan and Luna; §§ 139–143,
Aristophanes' Apology; §§ 152-157,
Artemis Prologizes; § 167, Agamem-
non; § 175, Ixion.

Bryant, Jacob. Advocate of theological
interpretation, 12.

Bryant, W. C., 1794-1878. Transl. of
the Odyssey; Com. 133-137, of Simoni-
des' Lament of Danaë; Com. § 171,
transl. Odyssey (1871).
Bucklie, T. A.
Æschylus.

Com. II, transl.

Bugge, Sophus. Com. §§ 177-184, Edi-

tion of Elder Edda.

Buchanan, R. W., 1841—. Cited or
quoted; from his Satyr, 204, 205; from
his Naiad, 207, 208; Com. § 17, Cloud-
land; § 49, Ades, King of Hell; §§ 52-
54, Naiad; § 92, Selene, the Moon;
§ 97, Pygmalion the Sculptor; § 99,
Sappho on the Leucadian Rock;
§ 107, Orpheus; § 116, Pan; § 126,
Polypheme's Passion; § 130, Proteus;
§ 171, Penelope; §§ 177-184, Balder

the Beautiful.

Bulfinch, S. G., 1809-1870. Extract from
his translation of Schiller's Ideal and
Life, 243.
Bulfinch, Thos., 1796-1867. The Age of
Fable; see Preface to this volume.
Burges, G. Transl. Greek Anthology,
Com. § II.

Burne-Jones, E., 1833— (paint.). Com.
§ 43, Cupid; § 94, Pan and Psyche;
§ 97, Pygmalion; § 98, Cupid, Pyra-
mus, Thisbe; § 107, Orpheus and
Eurydice; § 117, Nymphs; §§ 134-
137, Perseus and the Graiae; § 168,
Feast of Peleus; § 171, The Wine of
Circe.

Burns, R., 1759-1796. Com. § 38, The
Winter Night; § 138, To John Taylor.
Butcher, S. H., and A. Lang. Transl.

Odyssey, Com. § II.

Byron, George Gordon, Lord, 1788-1824.
Quoted or referred to, 24; Prometheus,
46; Age of Bronze, 48; Com. §§ 22-
25, Prometheus, Ode to Napoleon;
references to Childe Harold, §§ 35, 38,
39, 40, 43, 45 a, 56, 77, 91, 170.

Call, W. M. W., 1817-1890. Com. § 80,
Admetus; § 81, Alcestis; §§ 152-157,
Ariadne; §§ 177-184, Balder, Thor.
Calverley, C. S. (Blayds), 1831-1884.
Com. § 12, Transl. Horace; §93, Death
of Adonis; §§ 103, 126, 139-143, 166,
transl. Theocritus.

Campbell, Thomas, 1777-1844. Com.
§ 43, Two Songs to the Evening Star;
§§ 144-147, transl. of part of Eurip.
Medea.
Canova, Antonio, 1757-1822 (sculpt.).
Com. § 40, Venus Victrix; § 43, Graces;
§ 94, Cupid and Psyche; §§ 133-137,
Perseus; 150, Dædalus and Icarus;
§§ 152-157, Theseus; § 167, Paris;
§ 168, Ajax, Hector.

Carlyle, Thos., 1795-1881. Com. § 185,
Fragments of Transl. of Nibelungen-
lied, 403.

Carracci, Annibale, 1560–1609 (paint.).
Com. § 33, Jupiter and Juno.
Carracci, Ludovico, 1555-1619, and An-
nibale (paint.). Com. § 92, Diana and
Endymion; § 126, Polyphemus, Gala-
tea, Acis.

Cellini, Benvenuto, 1500-1570 (sculpt.).
Com. 33, Jupiter; § 35, Minerva;
§ 40, Venus; § 41, Mercury; §§ 133-
137, Perseus, Perseus saving An-
dromeda.

Cervantes, Miguel de, 1547-1616. Com.
§ 26.

Chapman, G., 1559-1634.

Iliad and

Odyssey, Com. § 11; Sonnet on Chap-
man's Homer, see Keats.
Chaucer, Geoffrey, 1340 (or 1328)-1400.
References in Com.: The Former Age,
§§ 22-25; The Knight's Tale, §§ 40,

89, 152-157; The House of Fame,
§§ 43, 75, 150, 168, 174; The Legend
of Good Women, §§ 81, 98, 133, 144,
151, 152-157, 174; The Compleynt of
Mars, §§ 40, 81; The Compleynt of
Venus, § 40; The Dethe of Blanche,
§§ 113, 168, 170; The Court of Love (?),
§§ 40, 81; The Cuckow and the Night-
ingale, or the Boke of Cupid (?), § 43;
The Romaunt of the Rose (?), § 118.
Clarke, J. F. Ten Great Religions, Com.
§ 15.
Cleasby and Vigfusson. Icelandic-Eng-
lish Dictionary, 30 n, 31 n.
Clough, A. H., 1819-1861. Com. § 89,

Actæon; § 92, Epi Latmo, Selene.
Coleridge, Hartley, 1790-1849. Com.
§§ 22-25, Prometheus; § 167, Sonnet
on Homer.

Coleridge, S. T., 1772-1834. Com. § 88,
Kubla Khan,

Com.

Com.

Com. § 45, A Greek

Collins, Mortimer, 1827-1876.
§ 51, The Ivory Gate.
Collins, William, 1721-1759.
§§ 117, 118, The Passions.
Collins, W. L., Anc. Class. for Engl.
Readers, Com. §§ 11, 12.
Colvin, S., 1845-
Hymn.
Conington, J., 1825-1869. Transl.
Eneid, Horace, Odes, etc., Com. § 12.
Correggio, A. A., 1494-1534 (paint.).
Com. § 39, Diana; § 59, Jupiter and
Io; § 62, Antiope; §§ 133-137, Danaë.
Cowper, Wm., 1731-1800. Transl.
Homer, 51, 290, 323, 332, 333; Com.
§ II, transl. Homer; § 38, Yardley
Oak; §§ 48, 171, 175, Progress of Error;
§ 118, On an Ugly Fellow; § 130, The

Task.

Cottle, A. S. Com. §§ 177-184, Icelan-
dic Poetry.

Cox, the Rev. Sir G. W., 9 n, 20 n. Com.
§§ 59, 61, 70, 72, 73, 75, 77, 94, 101, 107,
126, 139-143, 149.

Crabbe, George, 1754-1832. Com. § 43,
Village, Parish Register, Newspaper,
Birth of Flattery (Invocations of the
Muse); § 168, Village.
Crane, W.

Transl. Æneid, Com. § 12.