The Art of Speech and DeportmentA. C. McClurg & Company, 1909 - 372 ページ |
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45 ページ
... close the door after entering , let it be done with the same grasp and turn of the knob . The click of the lock is offensive to many and can readily be avoided . You should not slam the door , or use the knee , hip , elbow , or ...
... close the door after entering , let it be done with the same grasp and turn of the knob . The click of the lock is offensive to many and can readily be avoided . You should not slam the door , or use the knee , hip , elbow , or ...
52 ページ
... close together ? A. Habitual back - ache . Q. Why is this ? A. Too great a demand is made on the dorsal muscles at the base of the spine , in order to main- tain the equilibrium . Q. How is this trouble remedied ? A. By advancing one ...
... close together ? A. Habitual back - ache . Q. Why is this ? A. Too great a demand is made on the dorsal muscles at the base of the spine , in order to main- tain the equilibrium . Q. How is this trouble remedied ? A. By advancing one ...
57 ページ
... close to the floor . You should have time and rhythm in your body correspond- ing to the time and rhythm in your mind . Q. Define the terms " poise , " " bearing , " " walk , " and " carriage . " A. Poise is balance . Bearing , the ...
... close to the floor . You should have time and rhythm in your body correspond- ing to the time and rhythm in your mind . Q. Define the terms " poise , " " bearing , " " walk , " and " carriage . " A. Poise is balance . Bearing , the ...
118 ページ
... close of Stephen Phillips's play " Paolo and Francesca , " says : She takes away my strength . I did not know the dead could have such hair . Hide them . They look like children fast asleep . Q. What quality do fear , secrecy , and ...
... close of Stephen Phillips's play " Paolo and Francesca , " says : She takes away my strength . I did not know the dead could have such hair . Hide them . They look like children fast asleep . Q. What quality do fear , secrecy , and ...
137 ページ
... close attention to the dispo- sition of and to the shapes as- sumed by your throat , tongue , teeth , and lips , as well as to the sounds issuing thence under given conditions . Q. How many elementary sounds are there in our language ...
... close attention to the dispo- sition of and to the shapes as- sumed by your throat , tongue , teeth , and lips , as well as to the sounds issuing thence under given conditions . Q. How many elementary sounds are there in our language ...
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action Answer attitude audience body bowing breath called Celts character chest classic unities clavicular comedy consonant diaphragm drama Edward Eleanora Duse Émile Augier emotion English epiglottis example exercise feet fingers foot forward gait gesture Give glottis graceful habit Hamlet hand heels important indicates intercostal muscles knee language larynx last Duchess lips look lower lungs manners ment mental Merchant of Venice mind mither morality play mouth movement muscles nasal never normal voice palm persons pharynx phrase pitch play poise possible pronunciation quality of voice Question raising reading rehearser Repeat scene sense short shoulders Shylock slight slightly speaking speech stage stand thee thou thought throat tion tone placing tongue torso trunk Twelfth Night vocal cords vocal organs vowel vowel sounds walk weight Words for practice wrist wul ye
人気のある引用
113 ページ - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
7 ページ - I'll leave you till night; you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Giiildenstern. Ham. Ay, so, God be wi' ye :—Now I am alone. O, what a rogue and 'peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit...
115 ページ - Angels and ministers of grace defend us! Be thou a spirit of health or goblin damn'd, Bring with thee airs from heaven or blasts from hell, Be thy intents wicked or charitable, Thou com'st in such a questionable shape, That I will speak to thee: I'll call thee Hamlet, King, father, royal Dane, O, answer me!
160 ページ - E'en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene'er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will't please you rise? We'll meet The company below, then. I repeat, The Count your master's known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter's self, as I avowed At starting, is...
116 ページ - Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time, Which now suits with it.
155 ページ - Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and. curious volume of forgotten lore — While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. " "Tis some visitor," I muttered, "tapping at my chamber door — Only this and nothing more.
167 ページ - Nor do not saw the air too much with your hand, thus; but use all gently; for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness.
117 ページ - Make us glad according to the days wherein thou hast afflicted us, and the years wherein we have seen evil.
119 ページ - Never, lago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont...
160 ページ - The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace all and each Would draw from her alike the approving speech, Or blush, at least.