The Complete Works of William Shakespeare, 第 5 巻Harper& brothers, 1907 |
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64 ページ
... touch pitch will be defiled : the most peace- able way for you , if you do take a thief , is to let him show himself what he is , and steal out of your company . VERG . You have been always called a merciful man , partner . DOG . Truly ...
... touch pitch will be defiled : the most peace- able way for you , if you do take a thief , is to let him show himself what he is , and steal out of your company . VERG . You have been always called a merciful man , partner . DOG . Truly ...
128 ページ
... touch of nature . Of the same type is " Edward I. " In " George a Greene legend predominates . The Arraignment of Paris , " Love's Metamorphosis , " and " The Maid's Metamor- phosis , " deal with gods and goddesses or those who people ...
... touch of nature . Of the same type is " Edward I. " In " George a Greene legend predominates . The Arraignment of Paris , " Love's Metamorphosis , " and " The Maid's Metamor- phosis , " deal with gods and goddesses or those who people ...
128 ページ
... Touch- stone of the fifth act , as well as certain un - Shakespearean weaknesses felt here and there in the last act , may mean that an older play from Lodge's novel was carefully , 1 The name appears first in Act II , Sc . iv ...
... Touch- stone of the fifth act , as well as certain un - Shakespearean weaknesses felt here and there in the last act , may mean that an older play from Lodge's novel was carefully , 1 The name appears first in Act II , Sc . iv ...
xxv ページ
... then did , we shall supply from the earlier part the necessary background . The restraint , the sureness of touch , the confidence that the public would enjoy so delicate an intellectual pleasure as is apprecia- tion [ xxv ] INTRODUCTION.
... then did , we shall supply from the earlier part the necessary background . The restraint , the sureness of touch , the confidence that the public would enjoy so delicate an intellectual pleasure as is apprecia- tion [ xxv ] INTRODUCTION.
12 ページ
... TOUCH . Mistress , you must come away to your father . CEL . Were you made the messenger ? TOUCH . No , by mine honour , but I was bid to come for you . Ros . Where learned you that oath , fool ? TOUCH . Of a certain knight that swore ...
... TOUCH . Mistress , you must come away to your father . CEL . Were you made the messenger ? TOUCH . No , by mine honour , but I was bid to come for you . Ros . Where learned you that oath , fool ? TOUCH . Of a certain knight that swore ...
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ADAM Audrey beard BEAT Beatrice BEAU BORA BORACHIO brother Celia CLAUD comedy cousin daughter Dogberry Don John DON PEDRO dost doth DUKE F Exeunt Exit eyes fair faith father Folios fool FOREST Enter forest of Arden foul FRIAR Ganymede give grace hand hath hear heart heigh-ho Hero hither honour horns humour infra Jaques lady LEON Leonato live look lord Love's Love's Labour's Lost lover MARG Margaret marriage marry master master constable means merry Messina never night Oliver Orlando Ovid Phebe play prithee Quarto reading Rosalind SCENE Shakespeare shepherd SIDNEY LEE Signior Benedick sing song speak story supra swear sweet tell thank thing thou art to-morrow tongue TOUCH Touchstone troth Twelfth Night VERG villain WATCH wear WILLIAM SHAKESPEARE wilt wise woman word young youth