Making Subject(s): Literature and the Emergence of National Identity

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Taylor & Francis, 1998 - 242 ページ
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
 

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目次

Subjects of Empire and Nation
3
Colonizing Nations and the Public Theater in Early
31
The Tempest and
57
Pedagogical and Performative Nationalism in Ousmane
97
Midnights
145
Conclusion
187
Notes
197
Bibliography
223
Index
235
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