The Schoolmate, 第 4 巻A. R. Phippen George Savage, 1854 |
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... pause should be made , but the voice should be kept suspended , to show that the sentence is not finished . 2. The Period [ . ] denotes a longer pause ; the voice should be entirely dropped , to show that the sentence is finished 3. The ...
... pause should be made , but the voice should be kept suspended , to show that the sentence is not finished . 2. The Period [ . ] denotes a longer pause ; the voice should be entirely dropped , to show that the sentence is finished 3. The ...
44 ページ
... pause ; the voice should be entirely dropped , to show that the sentence is finished 3. The Rhetorical Pause [ ] is a character sometimes used to mark a pause of the voice where there is no punc- tuation . 4. The Dash [ - ] and Ellipsis ...
... pause ; the voice should be entirely dropped , to show that the sentence is finished 3. The Rhetorical Pause [ ] is a character sometimes used to mark a pause of the voice where there is no punc- tuation . 4. The Dash [ - ] and Ellipsis ...
75 ページ
... Pauses , Inflections , Tones , Manner , Emphasis , & c . , of Reading , re just as important in Speaking , and should be carefully studied and observed . 8. While speaking , try to imagine yourself to be the original speaker or author ...
... Pauses , Inflections , Tones , Manner , Emphasis , & c . , of Reading , re just as important in Speaking , and should be carefully studied and observed . 8. While speaking , try to imagine yourself to be the original speaker or author ...
76 ページ
... pause ; the voice should be entirely dropped , to show that the sentence is finished 8. The Rhetorical Pause [ I ] is a character sometimes used to mark a pause of the voice where there is no pune- tuation . 4. The Dash [ - ] and ...
... pause ; the voice should be entirely dropped , to show that the sentence is finished 8. The Rhetorical Pause [ I ] is a character sometimes used to mark a pause of the voice where there is no pune- tuation . 4. The Dash [ - ] and ...
86 ページ
... which They yet may find me - shall defy their wish To speak it worse ; and let them thank themselves . Sal . Then thou at last canst feel ? Sar Ingratitude ? Feel ! who feels not Sal . I will not pause to answer With words 86 DIALOGUES .
... which They yet may find me - shall defy their wish To speak it worse ; and let them thank themselves . Sal . Then thou at last canst feel ? Sar Ingratitude ? Feel ! who feels not Sal . I will not pause to answer With words 86 DIALOGUES .
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66 FULTON STREET A. R. PHIPPEN appearance Assyria back volumes beautiful Boston boys cents CHAPTER OF FACTS Chauncey Hall School Circumflex clouds commencing Connecticut River copy Crimea denotes dialogues Dieresis dollars earth Ellipsis engraved eyes fast father feel feet friends gestures give HARVARD COLLEGE heart hundred ILLUSTRATED COMPOSITION BOOK Inflection Interrogation Point JAMES ROBINSON key and soft king Lady Jane Grey letters look loud manner maps miles moderate MONTHLY READER morning mother mountain never Number contains o'er passage following pause person positions for reading published pune pupil Puzzles quarto received river Sebastopol sent sentence slow soft voice sometimes speaking speech stereoscope subscribers syllable beneath Teacher's Desk teachers thing thou thought Tim Jenkins tone trees Washington Irving Weavel Wndr words York York Tribune young youth
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342 ページ - OFTEN I think of the beautiful town That is seated by the sea ; Often in thought go up and down The pleasant streets of that dear old town, And my youth comes back to me. And a verse of a Lapland song Is haunting my memory still : " A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.
343 ページ - I can see the breezy dome of groves, The shadows of Deering's Woods; And the friendships old and the early loves Come back with a Sabbath sound, as of doves In quiet neighborhoods.
324 ページ - Have mercy upon me, O God, According to thy loving kindness: According to the multitude of thy tender mercies Blot out my transgressions.
79 ページ - Disaster'd stands; sees other hills ascend, Of unknown joyless brow; and other scenes, Of horrid prospect, shag the trackless plain: Nor finds the river, nor the forest, hid Beneath the formless wild; but wanders on From hill to dale, still more and more astray; Impatient flouncing through the drifted heaps, Stung with the thoughts of home; the thoughts of home Rush on his nerves, and call their vigour forth In many a vain attempt.
80 ページ - Smooth'd up with snow; and what is land, unknown, What water, of the still unfrozen spring, In the loose marsh or solitary lake, Where the fresh fountain from the bottom boils.
264 ページ - Sweet bird ! thy bower is ever green, Thy sky is ever clear ; Thou hast no sorrow in thy song, No winter in thy year...
244 ページ - The Niobe of nations ! there she stands, Childless and crownless, in her voiceless woe ; An empty urn within her withered hands, Whose holy dust was scattered long ago ; The Scipios' tomb contains no ashes now ; The very sepulchres lie tenantless Of their heroic dwellers : dost thou flow, Old Tiber ! through a marble wilderness ? Rise, with thy yellow waves, and mantle her distress.
263 ページ - He comes amidst the pomp and fragrance of the season ; his life seems all sensibility and enjoyment, all song and sunshine. He is to be found in the soft bosoms of the freshest and sweetest meadows, and is most in song when the clover is in blossom.
331 ページ - Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.
388 ページ - Miller. You may do what you please. You are twelve miles from Nottingham, and all the way through this thick wood ; but if you are resolved upon going thither to-night, I will put you in the...