A HANDBOOK OF ORAL READING |
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... writing which De Quincey calls the litera- ture of power , as distinguished from the literature of mere knowledge . The literature of knowledge treats of facts as such ; the literature of power holds and moves and inspires men by virtue ...
... writing which De Quincey calls the litera- ture of power , as distinguished from the literature of mere knowledge . The literature of knowledge treats of facts as such ; the literature of power holds and moves and inspires men by virtue ...
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... writing when one has nothing to say , expresses nothing so much as vanity and poverty of thought . One suspects that a good deal of the elocutionary affectation of the past was due to this sort of perversion . But no reading is adequate ...
... writing when one has nothing to say , expresses nothing so much as vanity and poverty of thought . One suspects that a good deal of the elocutionary affectation of the past was due to this sort of perversion . But no reading is adequate ...
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... writer what words he should use in setting down his thoughts , as to lay down absolute rules of tone for expressing certain kinds of thought and emotion . The modulations of the voice are combined by different indi- viduals in infinite ...
... writer what words he should use in setting down his thoughts , as to lay down absolute rules of tone for expressing certain kinds of thought and emotion . The modulations of the voice are combined by different indi- viduals in infinite ...
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... writing . The voice alone can do that . But a little practice in reading the stanza aloud will make it evident that the lines can be clearly and truthfully read only when the reader sees the end from the beginning . Then the thought of ...
... writing . The voice alone can do that . But a little practice in reading the stanza aloud will make it evident that the lines can be clearly and truthfully read only when the reader sees the end from the beginning . Then the thought of ...
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... is a task requiring as thorough prepara- tion and careful analysis and thought as any other study , and that good reading can only result from good prepara- tion . When the writer means to convey a certain 20 ORAL READING.
... is a task requiring as thorough prepara- tion and careful analysis and thought as any other study , and that good reading can only result from good prepara- tion . When the writer means to convey a certain 20 ORAL READING.
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accented action Assignment Baltus Van Tassel beauty breath change of pitch Chapter Christmas Christmas Carol clear conversation cried dark emotional emphasis expression eyes feeling Fezziwig give hand hath hear heard heart Ichabod Ichabod Crane illustrations imagination inflection Jacob Marley Julius Cæsar kind permission King Lady Macbeth light lines listener literature live look Lord loud Macbeth marshes of Glynn meaning melody Merchant of Venice metrical mind nature never night Nolan oral pause phrase poem poetry practice Prepare problems prose reader reading aloud Reading of problems Recitation rhythm round sail Scrooge sense sentence Shakespeare sight reading Sir Anth Sleepy Hollow soul sound speak speaker speech spirit spoken strong student syllables talk teacher Tennyson thee things thou thought tion tone tongue utterance vocal energy vocal exercises vocal force voice vowels William Herbert Carruth words