Dramatic Discourse: Dialogue as Interaction in PlaysRoutledge, 2005/06/20 - 340 ページ Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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... attempt tomean anddo viatheir utterances, their successor otherwise isdependent onhowtherisk of resistance is negotiated withthe other orothers in the situationof speech. Notions like communication andaction are thushighly ...
... attempt tomean anddo viatheir utterances, their successor otherwise isdependent onhowtherisk of resistance is negotiated withthe other orothers in the situationof speech. Notions like communication andaction are thushighly ...
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... , more generally in dialogue as interaction,could wellspend time onboth. Andthetheories offer resources whichactually exceed the applications attempted which is the reason for taking the risk of including them in some detail in the.
... , more generally in dialogue as interaction,could wellspend time onboth. Andthetheories offer resources whichactually exceed the applications attempted which is the reason for taking the risk of including them in some detail in the.
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... attempts to capture the insights fromall these forebears sincespeech is multifunctional in context. The 'etic' gridwas suppliedfor use and adaptationon 'emic' levels—to analysethespecificity ofany speech eventunder investigation. The ...
... attempts to capture the insights fromall these forebears sincespeech is multifunctional in context. The 'etic' gridwas suppliedfor use and adaptationon 'emic' levels—to analysethespecificity ofany speech eventunder investigation. The ...
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... attempts to ensure some common ground, since such is required for successful communication, without homogenizing the concept of a speech communityorundermining the possibilitiesfor miscommunication. If thenotionof speech community ...
... attempts to ensure some common ground, since such is required for successful communication, without homogenizing the concept of a speech communityorundermining the possibilitiesfor miscommunication. If thenotionof speech community ...
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... attempted to expandthe optionsfurther by including verbaland nonverbal, vocal andnonvocal media. Thus,spoken language, paralinguistic and prosodic features, writtenlanguage, sign language, whistling, drumming,Morse code,kinesics ...
... attempted to expandthe optionsfurther by including verbaland nonverbal, vocal andnonvocal media. Thus,spoken language, paralinguistic and prosodic features, writtenlanguage, sign language, whistling, drumming,Morse code,kinesics ...
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action andthe arealso areused assumptions attempts audience Bartley behaviour beliefs bythe Cambridge canbe characters communication constructed context conventional conversation Cooperative Coriolanus cultural deictic deixis Desdemona dialogue discourse Discourse Analysis dominance dramatic enacted extract female feminist fictional forms function gender given Hamlet Harry Harry’s hasto hearer Hymes Iago identity illocutionary illocutionary force implicatures inferences instance institutional interaction interpersonal interpretation inthe intheir inwhich isnot Laertes language Lear Lear’s linguistic locutionary act London male Maurya meaning mode mutual norms notion ofthe onthe Ophelia options Othello participants patriarchal patterns pauses performance perlocutionary act person Perspectives phatic play political Polonius possible pragmatic questions relations relevant response role Sarah scene selfselects sequence sexuality Shakespeare’s silence situation social speaker speaking speech acts speech event strategies structure talk tense thatthe theaudience theory theother tobe topic tothe turn turntaking University Press utterance verbal withinthe women