Dramatic Discourse: Dialogue as Interaction in PlaysRoutledge, 2005/06/20 - 340 ページ Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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Dialogue as Interaction in Plays Vimala Herman. 'persons' in the speech situation itself as Lyons (1977) has made clear. And as for the injunction that 'no one is to dominate completely', this is often honoured inthe breach. In mixedsex ...
Dialogue as Interaction in Plays Vimala Herman. 'persons' in the speech situation itself as Lyons (1977) has made clear. And as for the injunction that 'no one is to dominate completely', this is often honoured inthe breach. In mixedsex ...
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... inthe 'subjunctive' ratherthan the 'indicative' mood or mode ofexperience (ibid.: 21), worldsthat couldor might be ... in the fictional world ofthe play. Itis the evocation of these which underlies the promise of intelligibility of the ...
... inthe 'subjunctive' ratherthan the 'indicative' mood or mode ofexperience (ibid.: 21), worldsthat couldor might be ... in the fictional world ofthe play. Itis the evocation of these which underlies the promise of intelligibility of the ...
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... in the two domains differas theirgoals differ.Such pressures have tempted some analysts toclassify dramaticspeech as'deviant' but this brings its own dangers.Inthe first place, theproblemof defining a norm from whichdramaticspeech is ...
... in the two domains differas theirgoals differ.Such pressures have tempted some analysts toclassify dramaticspeech as'deviant' but this brings its own dangers.Inthe first place, theproblemof defining a norm from whichdramaticspeech is ...
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... inthe context of functioning. Different dramaturgies have mobilized different linguistic styles in drama's long history and thehistory of dramatic speech styles is both varied and complex including,as itdoes,poetry, formal prose ...
... inthe context of functioning. Different dramaturgies have mobilized different linguistic styles in drama's long history and thehistory of dramatic speech styles is both varied and complex including,as itdoes,poetry, formal prose ...
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... inthe change of discourse role.Sets of reciprocal utterances arecuedin various ways as speechevent units. Speechis ... in the situationof speech. Notions like communication andaction are thushighly contingentonmutual categorizations of ...
... inthe change of discourse role.Sets of reciprocal utterances arecuedin various ways as speechevent units. Speechis ... in the situationof speech. Notions like communication andaction are thushighly contingentonmutual categorizations of ...
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