The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for Measure, Antony and CleopatraPsychology Press, 2005 - 216 ページ The opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon. |
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A. C. Bradley action All's Andrugio Angelo Antony and Cleopatra Antony's Appian assassination attitude audience Basilikon Doron brother Brutus Brutus's Casca Casibus tragedy Cassandra Cassius Cassius's character choice Christian Cinthio's Claudio comedies commentators conspirators contrast critics death declares divided response Divine doth doubt Dover Wilson dramatic Duke Duke's echoes Elizabethan experiential Falstaff feel Garnier's Hamlet hath Henry honour human Isabel Julius Caesar Justice King L. C. Knights Lear lovers Lucio Macbeth Measure for Measure mercy mind moral bearings moral issue moral problem murder nature noble opposite Othello pardon person play's Plutarch presentation problem play Promos protagonist Puritan Renaissance Roman Rome scene seems Shake Shakespeare Shakespeare's play Shakespearian soliloquy speak speech spirit story structural pattern suggested thee theme thou Timon tion tragic disillusion tragic experience tragic suffering Troilus and Cressida virtue Whetstone's Wilson Knight words