The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, 第 4 巻Harper & Brothers, 1854 |
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... believe , the only one preserved , -namely , the Xoiaròs Пάoxov , or " Christ in his sufferings , " by Gregory Nazianzen , - Πάσχων , possibly written in consequence of the prohibition of profane liter- ature to the Christians by the ...
... believe , the only one preserved , -namely , the Xoiaròs Пάoxov , or " Christ in his sufferings , " by Gregory Nazianzen , - Πάσχων , possibly written in consequence of the prohibition of profane liter- ature to the Christians by the ...
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... believe that our ancestors laughed as heartily , as their posterity do at Grimaldi ; —and not having been told that they would be punished for laughing , they thought it very innocent ; and if their priests had left out murder in the ...
... believe that our ancestors laughed as heartily , as their posterity do at Grimaldi ; —and not having been told that they would be punished for laughing , they thought it very innocent ; and if their priests had left out murder in the ...
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... believe ourselves at Thebes in one act , we may believe ourselves at Athens in the next . If a story lasts twenty - four hours or twenty - four years , it is equally improbable . There seems to be no just boundary but what the feelings ...
... believe ourselves at Thebes in one act , we may believe ourselves at Athens in the next . If a story lasts twenty - four hours or twenty - four years , it is equally improbable . There seems to be no just boundary but what the feelings ...
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... believe that Shakspeare could have remained to his twenty - ninth or thirtieth year without attempting poetic compo- sition of any kind ? ) - and that between these and Romeo and Juliet there had intervened one or two other dramas , or ...
... believe that Shakspeare could have remained to his twenty - ninth or thirtieth year without attempting poetic compo- sition of any kind ? ) - and that between these and Romeo and Juliet there had intervened one or two other dramas , or ...
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... thus : - Pro . Good wombs have bore bad sons , - Now the condition . Mr. Coleridge writes in the margin : " I can not but believe that Theobald is quite right . " - Ed . ! but of all those by whom she has been NOTES ON THE TEMPEST . 75.
... thus : - Pro . Good wombs have bore bad sons , - Now the condition . Mr. Coleridge writes in the margin : " I can not but believe that Theobald is quite right . " - Ed . ! but of all those by whom she has been NOTES ON THE TEMPEST . 75.
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admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common Don Quixote drama effect especially excellent excitement express exquisite fancy feeling genius give Greek Hamlet hath Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment Juliet king language latter Lear Lecture less Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe original Othello pantheism Paradise Lost passage passion perfect perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Richard III Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste thing thou thought tion tragedy Trochee true truth understanding unity verse Warburton's whole words writers
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120 ページ - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
81 ページ - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair ; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
172 ページ - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
114 ページ - tis not so deep as a well, nor so wide as a church-door ; but 'tis enough, 'twill serve : ask for me tomorrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
105 ページ - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers; shall we now Contaminate our fingers with base bribes? And sell the mighty space of our large...
363 ページ - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And, even with something of a mother's mind And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate, Man, Forget the glories he hath known And that imperial palace whence he came. Behold the Child among his newborn blisses, A six years
163 ページ - That we would do, We should do when we would, for this 'would' changes, And hath abatements and delays as many As there are tongues, are hands, are accidents; And then this 'should' is like a spendthrift sigh, That hurts by easing.
22 ページ - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
102 ページ - So soon as that spare Cassius. He reads much; He is a great observer and he looks Quite through the deeds of men: he loves no plays, As thou dost, Antony; he hears no music...
55 ページ - The form is mechanic, when on any given material we impress a pre-determined form, not necessarily arising out of the properties of the material; — as when to a mass of wet clay we give whatever shape we wish it to retain when hardened. The organic form, on the other hand, is innate; it shapes, as it developes, itself from within, and the fulness of its development is one and the same with the perfection of its outward form.