The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, 第 4 巻Harper & Brothers, 1854 |
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... especially appear in prominence in the tragic drama . The ancient was allied to statuary , the mod- ern refers to painting . In the first there is a predominance of rhythm and melody , in the second of harmony and counterpoint . The ...
... especially appear in prominence in the tragic drama . The ancient was allied to statuary , the mod- ern refers to painting . In the first there is a predominance of rhythm and melody , in the second of harmony and counterpoint . The ...
38 ページ
... especially this , that the true language of passion becomes sufficiently elevated by your having previously heard , in the same piece , the lighter conversa- tion of men under no strong emotion . The very nakedness of the stage , too ...
... especially this , that the true language of passion becomes sufficiently elevated by your having previously heard , in the same piece , the lighter conversa- tion of men under no strong emotion . The very nakedness of the stage , too ...
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... especially with reference to the drama , and its character- istics in any given nation , or at any particular period , that the dependence of genius on the public taste becomes a matter of the deepest importance . I do not mean that ...
... especially with reference to the drama , and its character- istics in any given nation , or at any particular period , that the dependence of genius on the public taste becomes a matter of the deepest importance . I do not mean that ...
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... especially Parolles . The Two Gentlemen of Verona ; a sketch . Romeo and Juliet ; first draft of it . Third Epoch rises into the full , although youthful Shakspeare ; it was the neg ative period of his perfection . Love's Labor's Lost ...
... especially Parolles . The Two Gentlemen of Verona ; a sketch . Romeo and Juliet ; first draft of it . Third Epoch rises into the full , although youthful Shakspeare ; it was the neg ative period of his perfection . Love's Labor's Lost ...
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... especially never introducing a professional character , as such , otherwise than as respectable . If he must have any name , he should be styled a philosophical aristocrat , delighting in those hereditary institutions which have a ...
... especially never introducing a professional character , as such , otherwise than as respectable . If he must have any name , he should be styled a philosophical aristocrat , delighting in those hereditary institutions which have a ...
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admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common Don Quixote drama effect especially excellent excitement express exquisite fancy feeling genius give Greek Hamlet hath Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment Juliet king language latter Lear Lecture less Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe original Othello pantheism Paradise Lost passage passion perfect perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Richard III Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste thing thou thought tion tragedy Trochee true truth understanding unity verse Warburton's whole words writers
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120 ページ - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
81 ページ - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair ; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
172 ページ - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
114 ページ - tis not so deep as a well, nor so wide as a church-door ; but 'tis enough, 'twill serve : ask for me tomorrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
105 ページ - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers; shall we now Contaminate our fingers with base bribes? And sell the mighty space of our large...
363 ページ - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And, even with something of a mother's mind And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate, Man, Forget the glories he hath known And that imperial palace whence he came. Behold the Child among his newborn blisses, A six years
163 ページ - That we would do, We should do when we would, for this 'would' changes, And hath abatements and delays as many As there are tongues, are hands, are accidents; And then this 'should' is like a spendthrift sigh, That hurts by easing.
22 ページ - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
102 ページ - So soon as that spare Cassius. He reads much; He is a great observer and he looks Quite through the deeds of men: he loves no plays, As thou dost, Antony; he hears no music...
55 ページ - The form is mechanic, when on any given material we impress a pre-determined form, not necessarily arising out of the properties of the material; — as when to a mass of wet clay we give whatever shape we wish it to retain when hardened. The organic form, on the other hand, is innate; it shapes, as it developes, itself from within, and the fulness of its development is one and the same with the perfection of its outward form.