Shelley, 第 2 巻 |
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... nature , his devotion to Ideal Beauty , Laon and Cythna was in a far profounder sense representative of its author . All his previous experiences and all his aspirations - his pas- sionate belief in friendship , his principle of the ...
... nature , his devotion to Ideal Beauty , Laon and Cythna was in a far profounder sense representative of its author . All his previous experiences and all his aspirations - his pas- sionate belief in friendship , his principle of the ...
94 ページ
... nature with a man's firm grasp . In the first edition of the poem he made Laon and Cythna brother and sister , not because he believed in the desira- bility of incest , but because he wished to throw a glove down to society , and to ...
... nature with a man's firm grasp . In the first edition of the poem he made Laon and Cythna brother and sister , not because he believed in the desira- bility of incest , but because he wished to throw a glove down to society , and to ...
31 ページ
... criticism , and exquisitely delicate in observation . Their transparent sincerity and unpre- 1 See Note on Poems of 1819 , and compare the lyric " The billows on the beach . " meditated grace , combined with natural finish of expres- sion.
... criticism , and exquisitely delicate in observation . Their transparent sincerity and unpre- 1 See Note on Poems of 1819 , and compare the lyric " The billows on the beach . " meditated grace , combined with natural finish of expres- sion.
32 ページ
John Addington Symonds. meditated grace , combined with natural finish of expres- sion , make them masterpieces of a style at once familiar and elevated . That Shelley's sensibility to art was not so highly cultivated as his feeling for ...
John Addington Symonds. meditated grace , combined with natural finish of expres- sion , make them masterpieces of a style at once familiar and elevated . That Shelley's sensibility to art was not so highly cultivated as his feeling for ...
109 ページ
... nature are those in his little introductions to every new day ! It is the morning of life stripped of that mist of familiarity which makes it obscure to us . Boccaccio seems to me to have possessed a deep sense of the fair ideal of ...
... nature are those in his little introductions to every new day ! It is the morning of life stripped of that mist of familiarity which makes it obscure to us . Boccaccio seems to me to have possessed a deep sense of the fair ideal of ...
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admirable Adonais antique Apennines arch Ariosto arrived Bagni di Lucca Baths of Caracalla beauty boat caverns Cenci clouds colour columns dark dead DEAR PEACOCK death delightful drama Drawn earth English Engraved Epipsychidion expressed exquisitely fancy feet Finden fire forests genius Gisborne Greek Guido heaven hills imagination Italian Italy lake Laon and Cythna Leghorn Leigh Hunt Lerici less letter light Livorno lofty London Lord Byron loveliness lyric Marlow Mary Medwin mind moral mountains Naples nature never Ollier P. B. SHELLEY palace passed perfect picture poem poet poet's poetry Pompeii Prometheus Unbound Prout radiant RESIDENCE AT PISA rocks Rome ruins sail scenery seen shadow Shelley's spirit splendour stanzas sublime Tasso tell temple thee things THOMAS LOVE PEACOCK thou thought tomb Trelawny Venice verses Vesuvius Via Reggio Williams wind write wrote
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501 ページ - His part, while the one Spirit's plastic stress Sweeps through the dull dense world, compelling there All new successions to the forms they wear; Torturing th' unwilling dross that checks its flight To its own likeness, as each mass may bear; And bursting in its beauty and its might From trees and beasts and men into the Heaven's light.
507 ページ - That Light whose smile kindles the Universe, That Beauty in which all things work and move, That Benediction which the eclipsing Curse Of birth can quench not, that sustaining Love Which through the web of being blindly wove By man and beast and earth and air and sea, Burns bright or dim, as each are mirrors of The fire for which all thirst; now beams on me, Consuming the last clouds of cold mortality.
499 ページ - Midst others of less note, came one frail Form. A phantom among men; companionless As the last cloud of an expiring storm Whose thunder is its knell; he, as I guess, Had gazed on Nature's naked loveliness, Actaeon-like, and now he fled astray With feeble steps o'er the world's wilderness, And his own thoughts, along that rugged way, Pursued, like raging hounds, their father and their prey.
501 ページ - He is made one with Nature. There is heard His voice in all her music, from the moan Of thunder, to the song of night's sweet bird : He is a presence to be felt and known In darkness and in light, from herb and stone, Spreading itself where'er that Power may move Which has withdrawn his being to its own, Which wields the world with never wearied love, Sustains it from beneath, and kindles it above. XLIII. He is a portion of the loveliness Which once he made more lovely : he doth bear His part, while...
511 ページ - Yet now despair itself is mild, Even as the winds and waters are; I could lie down like a tired child, And weep away the life of care Which I have borne and yet must bear...
505 ページ - Go thou to Rome, — at once the Paradise, The grave, the city, and the wilderness ; And where its wrecks like shattered mountains rise, And flowering weeds, and fragrant copses dress The bones of Desolation's nakedness Pass, till the Spirit of the spot shall lead Thy footsteps to a slope of green access Where, like an infant's smile, over the dead, A light of laughing flowers along the grass is spread.
403 ページ - ... when composition begins, inspiration is already on the decline, and the most glorious poetry that has ever been communicated to the world is probably a feeble shadow of the original conceptions of the poet.
402 ページ - Poetry is indeed something divine. It is at once the centre and circumference of knowledge ; it is that which comprehends all science, and that to which all science must be referred. It is at the same time the root and blossom of all other systems of thought...
526 ページ - Thy sweet child Sleep, the filmy-eyed, Murmured like a noontide bee, Shall I nestle near thy side? Wouldst thou me? — And I replied, No, not thee ! Death will come when thou art dead, Soon, too soon — Sleep will come when thou art fled; Of neither would I ask the boon I ask of thee, beloved Night — Swift be thine approaching flight, Come soon, soon!
526 ページ - Death will come when thou art dead, Soon, too soon — Sleep will come when thou art fled; Of neither would I ask the boon I ask of thee, beloved Night — Swift be thine approaching flight, Come soon, soon ! 1821.