Main Currents in Nineteenth Century Literature, 第 4 巻Boni & Liveright, Incorporated, 1923 |
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... DEATH XXIV . CONCLUSION · LIST OF PORTRAITS WORDSWORTH . COLERIDGE . SCOTT KEATS MOORE . SHELLEY BYRON . 365 · Frontispiece . To face page 72 19 102 " 99 39 128 99 150 99 33 208 30 : 252 “ I am as a spirit who has dwelt Within vi CONTENTS.
... DEATH XXIV . CONCLUSION · LIST OF PORTRAITS WORDSWORTH . COLERIDGE . SCOTT KEATS MOORE . SHELLEY BYRON . 365 · Frontispiece . To face page 72 19 102 " 99 39 128 99 150 99 33 208 30 : 252 “ I am as a spirit who has dwelt Within vi CONTENTS.
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... Coleridge , whose studied childishness and simplicity are near of kin to Tieck's ; and it is Coleridge , too , who , thoroughly imbued with the doctrines of the German philosophy of the day , enters a general scientific protest against ...
... Coleridge , whose studied childishness and simplicity are near of kin to Tieck's ; and it is Coleridge , too , who , thoroughly imbued with the doctrines of the German philosophy of the day , enters a general scientific protest against ...
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... Coleridge's Romantic supernaturalism , Wordsworth's Anglican orthodoxy , Shelley's atheistic spiritualism , Byron's revolutionary liberalism , and Scott's interest in the past . It influences the personal beliefs and the literary ...
... Coleridge's Romantic supernaturalism , Wordsworth's Anglican orthodoxy , Shelley's atheistic spiritualism , Byron's revolutionary liberalism , and Scott's interest in the past . It influences the personal beliefs and the literary ...
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... Coleridge's Ancient Mariner we have all the terror and horror of the sea ; Campbell's Mariners of England is an entrancingly melodious and manly glorification of the heroism and might of the English seamen ; Byron's Viking- like ...
... Coleridge's Ancient Mariner we have all the terror and horror of the sea ; Campbell's Mariners of England is an entrancingly melodious and manly glorification of the heroism and might of the English seamen ; Byron's Viking- like ...
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... Cole- ridge are first supporters , then antagonists , of the democratic ideas of the day ; Moore is on the side of the Irishmen ; Landor , Campbell , Byron , and ... Coleridge , in the first Jacobinical ardour of 12 NATURALISM IN ENGLAND.
... Cole- ridge are first supporters , then antagonists , of the democratic ideas of the day ; Moore is on the side of the Irishmen ; Landor , Campbell , Byron , and ... Coleridge , in the first Jacobinical ardour of 12 NATURALISM IN ENGLAND.
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admiration appeared ardent attacks beautiful Cain called century character Childe Harold Coleridge Coleridge's Countess Countess Guiccioli death described Don Juan earth England English Naturalism erotic expression eyes feeling France French Giaour hear heart heaven hero Holy Alliance honour human idea imagination impression Ireland Irish Keats Keats's King Lady Lady Caroline Lamb Lake School Landor letter liberty literary literature lived Lord Byron manner melancholy melodious mind Moore Moore's moral mother nature never Newstead Newstead Abbey passion period poem poet poet's poetic poetry political Prince produced Prometheus proud reader Revolution Robert Emmet Romantic satire says Scott Shelley Shelley's Siege of Corinth Sir Walter Scott society song soul Southey Southey's spirit style suffering Thalaba thee things Thomas Moore thou thought turned verse whilst whole words Wordsworth writes written wrote young youth
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44 ページ - For I have learned To look on nature, not as in the hour Of thoughtless youth ; but hearing oftentimes The still, sad music of humanity, Not harsh nor grating, though of ample power To chasten and subdue.
37 ページ - A SLUMBER did my spirit seal ; I had no human fears : She seemed a thing that could not feel The touch of earthly years. No motion has she now, no force ; She neither hears nor sees ; Rolled round in earth's diurnal course, With rocks, and stones, and trees.
44 ページ - These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye : But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart ; And passing even into my purer mind, With tranquil restoration...
47 ページ - SHE was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition, sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and way-lay.
136 ページ - I am certain of nothing but of the holiness of the Heart's affections and the truth of Imagination— What the imagination seizes as Beauty must be truth— whether it existed before or not...
41 ページ - The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
42 ページ - Are not the mountains, waves, and skies, a part Of me and of my soul, as I of them?
39 ページ - Thou, whose exterior semblance doth belie Thy soul's immensity ; Thou best philosopher, who yet dost keep Thy heritage, thou eye among the blind That, deaf and silent, read'st the eternal deep, Haunted for ever by the eternal Mind, — Mighty Prophet! Seer blest! On whom those truths do rest Which we are toiling all our lives to find...
199 ページ - I STROVE with none, for none was worth my strife; Nature I loved, and next to Nature, Art; I warmed both hands before the fire of life; It sinks, and I am ready to depart.
58 ページ - Humble and rustic life was generally chosen, because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language; because in that condition of life our elementary feelings coexist in a state of greater simplicity and consequently may be more accurately contemplated and more forcibly communicated...