Main Currents in Nineteenth Century Literature, 第 4 巻Boni & Liveright, Incorporated, 1923 |
この書籍内から
検索結果1-5 / 66
ページ
... PERIOD II . NATIONAL CHARACTERISTICS III . THE POLITICAL BACKGROUND IV . THE BEGINNINGS OF NATURALISM · V. STRENGTH AND SINCERITY OF THE LOVE OF PAGE I • 6 · 15 32 NATURE • VI . RURAL LIFE AND ITS POETRY VII . NATURALISTIC ROMANTICISM ...
... PERIOD II . NATIONAL CHARACTERISTICS III . THE POLITICAL BACKGROUND IV . THE BEGINNINGS OF NATURALISM · V. STRENGTH AND SINCERITY OF THE LOVE OF PAGE I • 6 · 15 32 NATURE • VI . RURAL LIFE AND ITS POETRY VII . NATURALISTIC ROMANTICISM ...
ページ
... periods of European civilisation . The literary period which I now proceed to describe is a vigorous , highly productive one . It has authors and schools of the most dissimilar types , sometimes not merely unlike , but antagonistic to ...
... periods of European civilisation . The literary period which I now proceed to describe is a vigorous , highly productive one . It has authors and schools of the most dissimilar types , sometimes not merely unlike , but antagonistic to ...
1 ページ
... period . These characteristics are universal because of the universal existence of their cause . Napoleon was threatening Europe with a world - wide Empire . To escape annihilation , all the threatened nationalities either instinctively ...
... period . These characteristics are universal because of the universal existence of their cause . Napoleon was threatening Europe with a world - wide Empire . To escape annihilation , all the threatened nationalities either instinctively ...
2 ページ
... period previous to his own ; Sainte - Beuve's earliest literary criticism ; Théophile Gautier's Les Grotesques . ) In Denmark at the beginning of the century it was mainly in the wake of the German current that men's minds moved . They ...
... period previous to his own ; Sainte - Beuve's earliest literary criticism ; Théophile Gautier's Les Grotesques . ) In Denmark at the beginning of the century it was mainly in the wake of the German current that men's minds moved . They ...
3 ページ
... employ ; and this young man , Walter Scott by name , who was also to be an author , and a very much greater one , makes his literary debut with a translation of Lenore and another ballad CHARACTERISTICS OF THE PERIOD 3.
... employ ; and this young man , Walter Scott by name , who was also to be an author , and a very much greater one , makes his literary debut with a translation of Lenore and another ballad CHARACTERISTICS OF THE PERIOD 3.
他の版 - すべて表示
多く使われている語句
admiration appeared attacks beautiful became become beginning Byron called century character Childe Harold Coleridge death described desire earth England English existence expression eyes feeling felt French give given hand head hear heart hero human idea imagination impression influence interest Irish Italy Juan kind King Lady Lake language less letter liberty light lines literary literature lived look Lord manner means mind Moore moral mother nature never night once opinion passion period play poem poet poetic poetry political produced reader reason received regarded says Scott Shelley Shelley's society song soul Southey spirit strong suffering tells thee things thou thought took true turned verse whole Wordsworth writes written wrote young youth
人気のある引用
44 ページ - For I have learned To look on nature, not as in the hour Of thoughtless youth ; but hearing oftentimes The still, sad music of humanity, Not harsh nor grating, though of ample power To chasten and subdue.
37 ページ - A SLUMBER did my spirit seal ; I had no human fears : She seemed a thing that could not feel The touch of earthly years. No motion has she now, no force ; She neither hears nor sees ; Rolled round in earth's diurnal course, With rocks, and stones, and trees.
44 ページ - These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye : But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart ; And passing even into my purer mind, With tranquil restoration...
47 ページ - SHE was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition, sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and way-lay.
136 ページ - I am certain of nothing but of the holiness of the Heart's affections and the truth of Imagination— What the imagination seizes as Beauty must be truth— whether it existed before or not...
41 ページ - The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
42 ページ - Are not the mountains, waves, and skies, a part Of me and of my soul, as I of them?
39 ページ - Thou, whose exterior semblance doth belie Thy soul's immensity ; Thou best philosopher, who yet dost keep Thy heritage, thou eye among the blind That, deaf and silent, read'st the eternal deep, Haunted for ever by the eternal Mind, — Mighty Prophet! Seer blest! On whom those truths do rest Which we are toiling all our lives to find...
199 ページ - I STROVE with none, for none was worth my strife; Nature I loved, and next to Nature, Art; I warmed both hands before the fire of life; It sinks, and I am ready to depart.
58 ページ - Humble and rustic life was generally chosen, because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language; because in that condition of life our elementary feelings coexist in a state of greater simplicity and consequently may be more accurately contemplated and more forcibly communicated...