Studies in Criticism and AestHoward Anderson U of Minnesota Press - 419 ページ |
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... Shandy вY Ian Watt , STANFORD UNIVERSITY 315 Reynolds and the Art of Characterization BY Robert E. Moore , UNIVERSITY OF MINNESOTA 332 Gainsborough's " Prospect , Animated Prospect " BY Emilie Buchwald , UNIVERSITY OF MINNESOTA 358 The ...
... Shandy вY Ian Watt , STANFORD UNIVERSITY 315 Reynolds and the Art of Characterization BY Robert E. Moore , UNIVERSITY OF MINNESOTA 332 Gainsborough's " Prospect , Animated Prospect " BY Emilie Buchwald , UNIVERSITY OF MINNESOTA 358 The ...
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... Shandy dependent upon a con- sistent narrative voice . That voice , created in part through a singular sys- tem of punctuation , is defined by its association of ideas rather than by the rational subordination of one to another ...
... Shandy dependent upon a con- sistent narrative voice . That voice , created in part through a singular sys- tem of punctuation , is defined by its association of ideas rather than by the rational subordination of one to another ...
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目次
3 | |
13 | |
Erminia in Minneapolis | 36 |
Chaucer in Drydens Fables | 58 |
Shaftesbury and the Age of Sensibility | 73 |
Addison on Ornament and Poetic Style | 94 |
Relativism and An Essay on Criticism | 128 |
Popes Definition of His Art | 140 |
Humes Of Criticism | 232 |
William Warburton as New Critic | 249 |
The Naked Science of Language 17471786 | 266 |
Imlac and the Business of a Poet | 296 |
The Comic Syntax of Tristram Shandy | 315 |
Reynolds and the Art of Characterization | 332 |
Gainsboroughs Prospect Animated Prospect | 358 |
A Revolution in Dispute | 380 |
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多く使われている語句
Addison admire aesthetic aestheticians Alexander Pope ancient appears artist Augustan Baroque beauty character Chaucer classical colors conception criticism Discourse doctrine Dryden Dunciad effect eighteenth century emotions English Epistle Erminia Essay Essay on Criticism example expression fiction Gainsborough genius Georgics Guercino Horace human Hume Ibid ideal ideas imagination imitation John Dryden Johnson judgment kind landscape language lines literary literature London Longinus Lyrical Ballads M. H. Abrams means metaphor Milton mind modern moral nature neoclassical Neoclassicism objects observed ornament Ovid painter painting passage passions pastoral philosophical picture pleasure poem poet poetic poetry Pope Pope's portrait praise Preface principle reader reason remarks Reynolds Reynolds's rhetoric Romantic satire says seems sense Shaftesbury shepherd simplicity Spectator style sublime suggest taste theory things Thomas Gainsborough thought tion tradition Tristram Shandy true truth ture Twickenham universal Warburton words Wordsworth writing