Studies in Criticism and AestHoward Anderson U of Minnesota Press - 419 ページ |
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... , consisting not of rhetorical patterns but of less tangible qualities of thought , existing often in the simplest language , that move readers to emotion . If Boileau de- serves the blame that Keats assigned him for some of Introduction.
... , consisting not of rhetorical patterns but of less tangible qualities of thought , existing often in the simplest language , that move readers to emotion . If Boileau de- serves the blame that Keats assigned him for some of Introduction.
8 ページ
... emotions , not merely to represent external reality . The determination to include states of feeling as part of the reality to be com- municated through art can scarcely be considered a romantic innovation when it is essential to the ...
... emotions , not merely to represent external reality . The determination to include states of feeling as part of the reality to be com- municated through art can scarcely be considered a romantic innovation when it is essential to the ...
12 ページ
... emotions . If the critics and artists studied in this book , together with their lively contemporaries , were generally more impressed by reality than by doc- trines in art , less imaginative minds frequently controlled influential posi ...
... emotions . If the critics and artists studied in this book , together with their lively contemporaries , were generally more impressed by reality than by doc- trines in art , less imaginative minds frequently controlled influential posi ...
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目次
3 | |
13 | |
Erminia in Minneapolis | 36 |
Chaucer in Drydens Fables | 58 |
Shaftesbury and the Age of Sensibility | 73 |
Addison on Ornament and Poetic Style | 94 |
Relativism and An Essay on Criticism | 128 |
Popes Definition of His Art | 140 |
Humes Of Criticism | 232 |
William Warburton as New Critic | 249 |
The Naked Science of Language 17471786 | 266 |
Imlac and the Business of a Poet | 296 |
The Comic Syntax of Tristram Shandy | 315 |
Reynolds and the Art of Characterization | 332 |
Gainsboroughs Prospect Animated Prospect | 358 |
A Revolution in Dispute | 380 |
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Addison admire aesthetic aestheticians Alexander Pope ancient appears artist Augustan Baroque beauty character Chaucer classical colors conception criticism Discourse doctrine Dryden Dunciad effect eighteenth century emotions English Epistle Erminia Essay Essay on Criticism example expression fiction Gainsborough genius Georgics Guercino Horace human Hume Ibid ideal ideas imagination imitation John Dryden Johnson judgment kind landscape language lines literary literature London Longinus Lyrical Ballads M. H. Abrams means metaphor Milton mind modern moral nature neoclassical Neoclassicism objects observed ornament Ovid painter painting passage passions pastoral philosophical picture pleasure poem poet poetic poetry Pope Pope's portrait praise Preface principle reader reason remarks Reynolds Reynolds's rhetoric Romantic satire says seems sense Shaftesbury shepherd simplicity Spectator style sublime suggest taste theory things Thomas Gainsborough thought tion tradition Tristram Shandy true truth ture Twickenham universal Warburton words Wordsworth writing