Studies in Criticism and AestHoward Anderson U of Minnesota Press - 419 ページ |
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... truth that convention is constantly in the proc- ess of being made new by invention . It is not surprising , then , that Mr. Monk's interest has extended to those forms of literature which embodied and engendered new ideas about the ...
... truth that convention is constantly in the proc- ess of being made new by invention . It is not surprising , then , that Mr. Monk's interest has extended to those forms of literature which embodied and engendered new ideas about the ...
7 ページ
... truth , and anything less than the full truth was a lie . The incident seems representative of him . Yet the complement to this tenacious hon- esty is his perspective ; for , in spite of a nagging sense of incompleteness , he has found ...
... truth , and anything less than the full truth was a lie . The incident seems representative of him . Yet the complement to this tenacious hon- esty is his perspective ; for , in spite of a nagging sense of incompleteness , he has found ...
11 ページ
... truth was denied not only by many scien- tists but by the most influential philosopher of the age . Faced with the assumption that unadorned prose is the exclusive vehicle of reality , artists and critics were forced to look at poetry ...
... truth was denied not only by many scien- tists but by the most influential philosopher of the age . Faced with the assumption that unadorned prose is the exclusive vehicle of reality , artists and critics were forced to look at poetry ...
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目次
3 | |
13 | |
Erminia in Minneapolis | 36 |
Chaucer in Drydens Fables | 58 |
Shaftesbury and the Age of Sensibility | 73 |
Addison on Ornament and Poetic Style | 94 |
Relativism and An Essay on Criticism | 128 |
Popes Definition of His Art | 140 |
Humes Of Criticism | 232 |
William Warburton as New Critic | 249 |
The Naked Science of Language 17471786 | 266 |
Imlac and the Business of a Poet | 296 |
The Comic Syntax of Tristram Shandy | 315 |
Reynolds and the Art of Characterization | 332 |
Gainsboroughs Prospect Animated Prospect | 358 |
A Revolution in Dispute | 380 |
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Addison admire aesthetic aestheticians Alexander Pope ancient appears artist Augustan Baroque beauty character Chaucer classical colors conception criticism Discourse doctrine Dryden Dunciad effect eighteenth century emotions English Epistle Erminia Essay Essay on Criticism example expression fiction Gainsborough genius Georgics Guercino Horace human Hume Ibid ideal ideas imagination imitation John Dryden Johnson judgment kind landscape language lines literary literature London Longinus Lyrical Ballads M. H. Abrams means metaphor Milton mind modern moral nature neoclassical Neoclassicism objects observed ornament Ovid painter painting passage passions pastoral philosophical picture pleasure poem poet poetic poetry Pope Pope's portrait praise Preface principle reader reason remarks Reynolds Reynolds's rhetoric Romantic satire says seems sense Shaftesbury shepherd simplicity Spectator style sublime suggest taste theory things Thomas Gainsborough thought tion tradition Tristram Shandy true truth ture Twickenham universal Warburton words Wordsworth writing