The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections and Illustrations of Various Commentators. To which are Added NotesT. Longman, 1793 |
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... supposed portrait of our author to Mrs. Barry , the real value of it should not be inferred . The possession of somewhat more animated than can- vas , might have been included , though not speci- fied , in a bargain with an actress of ...
... supposed portrait of our author to Mrs. Barry , the real value of it should not be inferred . The possession of somewhat more animated than can- vas , might have been included , though not speci- fied , in a bargain with an actress of ...
xiii ページ
... supposed to have written . By similar reference it is that the style of many an ancient building has been characteris- tically restored . The members of architecture left entire , have instructed the renovator how to supply the loss of ...
... supposed to have written . By similar reference it is that the style of many an ancient building has been characteris- tically restored . The members of architecture left entire , have instructed the renovator how to supply the loss of ...
xiv ページ
... supposed untenable . The " wine of collation , " indeed , had long been " drawn , " and little be- side the " mere lees was left " for very modern editors " to brag of . " It should therefore be re- membered , that as judgement ...
... supposed untenable . The " wine of collation , " indeed , had long been " drawn , " and little be- side the " mere lees was left " for very modern editors " to brag of . " It should therefore be re- membered , that as judgement ...
xxxiv ページ
... real mistakes , would have supposed the existence of such as * 66 the hospitable door Expos'd a matron , to avoid worse rape . " Paradise Lost , B. I. v . 504- merely founded on their own want of acquaint- ance with xxxiv ADVERTISEMENT .
... real mistakes , would have supposed the existence of such as * 66 the hospitable door Expos'd a matron , to avoid worse rape . " Paradise Lost , B. I. v . 504- merely founded on their own want of acquaint- ance with xxxiv ADVERTISEMENT .
243 ページ
... supposed to be in being , at the conclufion of his work , whether he had been able to procure them for the service of it or not . For these reasons I thought it would not be unacceptable to the lovers of Shakspeare to collate all the ...
... supposed to be in being , at the conclufion of his work , whether he had been able to procure them for the service of it or not . For these reasons I thought it would not be unacceptable to the lovers of Shakspeare to collate all the ...
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acted addreffed afcertain againſt alfo alluded allufion appears becauſe Cæfar circumftance comedy Comedy of Errors compofitions copy criticks Cymbeline daughter death difcovered drama dramatick edition editor Engliſh faid fame fays fcene fecond folio feems feen feveral fhall fhew fhould fince firft firſt fome fometimes fpeare ftage fubject fuch fufficient fuppofe Hamlet Henry IV Hiftory himſelf impreffions inferted inftances Jonfon juft King Henry King Henry VI King Lear labour laft leaſt lefs likewife Loft Lover's Melancholy Macbeth MALONE moft moſt muft muſt obfcure obferved occafion old plays paffage perfons piece players pleaſe pleaſure poet poet's prefent printed probably publick publiſhed quarto reafon Regifter Richard Romeo and Juliet ſcene ſeems Shak Shakspeare Shakspeare's ſtage STEEVENS Stratford Stratford-upon-Avon theatre thefe themſelves theſe thofe Thomas thoſe tion Titus Andronicus tragedy tranflation Twelfth Night uſed verfes whofe William Shakspeare Winter's Tale words writer written
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186 ページ - He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
221 ページ - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
179 ページ - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
221 ページ - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
47 ページ - They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages.
176 ページ - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
220 ページ - Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted with the powers of Shakespeare and who desires to feel the highest pleasure that the drama can give read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation.
192 ページ - The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
358 ページ - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
184 ページ - Shakespeare engaged in dramatic poetry with the world open before him. The rules of the ancients were yet known to few; the public judgment was unformed; he had no example of such fame as might force him upon imitation, nor critics of such authority as might restrain his extravagance.