Shakespeare's HeroinesBroadview Press, 2005/09/26 - 464 ページ First published in 1832, Shakespeare’s Heroines is a unique hybrid of Shakespeare criticism, women’s rights activism, and conduct literature. Jameson’s collection of readings of female characters includes praise for unexpected role models as varied as Portia, Cleopatra, and Lady Macbeth; her interpretations of these and other characters portray intellect, passion, political ambition, and eroticism as acceptable aspects of women’s behaviour. This inventive work of literary criticism addresses the problems of women’s education and participation in public life while also providing insightful, original, and entertaining readings of Shakespeare’s women. This Broadview Edition includes a critical introduction that places Shakespeare’s Heroines in the context of Jameson’s literary career and political life. Appendices include personal correspondence and other literary and political writings by Jameson, examples of eighteenth- and nineteenth-century Shakespeare criticism, and selections from Victorian conduct books. |
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... passion without leaving the security ofa mother's watchful eye, or a father's home, and they can vicariously encounter the consequences ofvanity and shallowness from the same havens. Although she is always aware of the public perfor ...
... passion contemplated through the imagination as like light shin— ing “through a prism” rather than “Blinding, burning, consuming where” a single ray of light might shine. When disseminated through a series of vicarious experiences—which ...
... passion, are not, when we meet with them in real life, the most striking and interesting[.]” At first glance, Shakespeare's domestic angels leave Jameson bored. Indeed, her readings of Shakespeare's heroines reveal that political ...
... passion with his own. Jameson leaves her readers with the sense that when the woman of the house advised murder, the man should have had a plan that bested hers. In describing how readers come to a misguided horror of the play, Jameson ...
... passion to so majestic a spirit as Hamlet,” she objects to the traditional tendency toward drastically neglecting one char— acter in favor of examining another (usually resulting in silence on female characters). While Jameson voices ...
目次
Jamesons Writing on Women Work and Acting | 380 |
Jamesons Correspondence | 409 |
Contemporary Reviews of Characteristics of Women | 419 |
Conduct Books | 437 |
Eighteenth and NineteenthCentury Shakespeare Criticism | 444 |
Select Bibliography | 463 |