Shakespeare's HeroinesBroadview Press, 2005/09/26 - 464 ページ First published in 1832, Shakespeare’s Heroines is a unique hybrid of Shakespeare criticism, women’s rights activism, and conduct literature. Jameson’s collection of readings of female characters includes praise for unexpected role models as varied as Portia, Cleopatra, and Lady Macbeth; her interpretations of these and other characters portray intellect, passion, political ambition, and eroticism as acceptable aspects of women’s behaviour. This inventive work of literary criticism addresses the problems of women’s education and participation in public life while also providing insightful, original, and entertaining readings of Shakespeare’s women. This Broadview Edition includes a critical introduction that places Shakespeare’s Heroines in the context of Jameson’s literary career and political life. Appendices include personal correspondence and other literary and political writings by Jameson, examples of eighteenth- and nineteenth-century Shakespeare criticism, and selections from Victorian conduct books. |
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... tenderness and purer moral sentiments; then she uses these qualities and sympathies on a larger scale, to cherish and purify society. But still the man and the woman must continue to share the work; there must be the communion oflabor ...
... tenderness to women. In the opening of her section “Characters of Intellect” (including Portia, Isabella, Beatrice and Rosalind) Jameson discusses the difference between male and female intelligence: The essential and invariable ...
... tenderness and sympathy” for Rosalind.Jameson stays vigilant to female relations even when they are not mutually beneficial, devoting considerable attention, for instance, to Cleopatra's treatment of Charmian. Insightfully, she offers ...
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目次
Jamesons Writing on Women Work and Acting | 380 |
Jamesons Correspondence | 409 |
Contemporary Reviews of Characteristics of Women | 419 |
Conduct Books | 437 |
Eighteenth and NineteenthCentury Shakespeare Criticism | 444 |
Select Bibliography | 463 |