Romanticism in Perspective: A Comparative Study of Aspects of the Romantic Movements in England, France and Germany

already appear approach artist attitude autumn Ballads beauty become Blake Byron called century character characteristic Coleridge Coleridge's common compared Complete conception contrast creative criticism direct drama early effect emotional emphasis England English English Romantic Europe experience expression fact feeling France French Romantic Frühromantiker German German Romantics Goethe hand heart historical Hugo human ideal ideas imagery imagination importance individual inner inspired interest Keats kind Lamartine language later less literary literature lyric manner meaning mind Musset nature Novalis novel object original past perception perhaps period phrase plays poems poetic poetry Preface present realism reality reason Romantic movement Romantic poets Romanticism Schlegel sense sentimental Shelley similar Songs spontaneity Sturm und Drang symbolic term theory things thought throughout tion tradition transformation true truth turn universe Vigny vision whereas whole Wordsworth writing